
Tracklista:
- Wykonawca Rotting Christ
- Data premiery 2012-05-17
- Nośnik CD
- Vinyle / Pop & Rock / Zagraniczna
- 25-05-2020, 00:45
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Tracklista:

„Przyspieszony proces zepsucia” to debiutancki album Pokolenia Pewnej Zguby, najbardziej rozpoznawalnej polskiej formacji hip-hopowej działającej poza granicami naszego kraju.

CD 1 01. The New Real (06:24)02. Pink Beatles In A Purple Zeppelin (03:36)03. Parental Procreation Permit (05:03)04. When I'm A Hundred Sixty-Four (02:30)05. E-Police (04:07)06. Don't Switch Me Off (04:06)07. Dr Slumber's Eternity Home (03:51)08. Yellowstone Memorial Day (03:31)09. Where Pigs Fly (03:47) 10. Lost In The New Real (10:19)11. Bonus feature CD Rom section: "Behind the New Real" (13:45)CD 201. Our Imperfect Race (06:27)02. Welcome to the Machine (04:45)03. So Is There No God? (04:41)04. Veteran of the Psychic Wars (04:34)05. The Social Recluse (03:55)06. Battle of Evermore (05:28)07. The Space Hotel (03:49)08. Some Other Time (03:21)09. You Have Entered The Reality Zone (03:24)10. I'm the Slime (02:53)11. Bonus feature CD Rom section: "The Artwork" (13:35)

Tracklista:1. String Quartet No. 2 in A minor, Sz. 67, BB 75 (Op. 17): Moderato2. String Quartet No. 2 in A minor, Sz. 67, BB 75 (Op. 17): Allegro molto capriccioso3. String Quartet No. 2 in A minor, Sz. 67, BB 75 (Op. 17): Lento4. String Quartet No. 5 in B flat major, Sz. 102, BB 110: Allegro5. String Quartet No. 5 in B flat major, Sz. 102, BB 110: Adagio Molto6. String Quartet No. 5 in B flat major, Sz. 102, BB 110: Scherzo7. String Quartet No. 5 in B flat major, Sz. 102, BB 110: Andante8. String Quartet No. 5 in B flat major, Sz. 102, BB 110: Finale

Tracklista: 1. I Found You 2. Little Suitcase 3. The Wealthiest Queen 4. Black Umbrella 5. Body On The Water 6. Warm One 7. Gillian 8. One Day Soon 9. Abigail & The Whale (The Blue Queen Of The Deep) 10. A Whisper 11. My Midnight Special

Paul Wertico, wszechstronny perkusista znany w Polsce z Pat Metheny Group i kilku lat intensywnej współpracy z rodzimym SBB, w połowie lat 90. wyruszył na pierwszą trasę koncertową ze swoim autorskim triem. Dwadzieścia pięć lat później to pierwsze spotkanie z publicznością ukazuje się wreszcie na płycie. „First Date” to nie jest wyłącznie album dla fanów długich, perkusyjnych solówek lidera. Gitarowe popisy Johna Mouldera, wspomagane przez kreatywny akompaniament basisty, Erica Hochberga, zabierają słuchacza na długą i kolorową wycieczkę w świat intensywnego fusion. To muzyka pełna kontrastów, zderzająca ze sobą agresywne improwizacje o rockowej energii z sennymi, rozmarzonymi impresjami. To również kilka wyśmienitych, przemyślanych i wciągających solowych popisów Paula Wertico, będących nie tyle przerywnikami, co pełnoprawnymi utworami. Materiał nagrany 6 października 1994 roku w niemieckim Ottobeuren ukazuje się na płycie po raz pierwszy – zremasterowany z oryginalnych taśm i uzupełniony o unikatowe, niepublikowane zdjęcia z tej pierwszej trasy koncertowej tria Paula Wertico. Skład: John Moulder - guitar Eric Hochberg - bass Paul Wertico – drums

The life and music of Villa-Lobos is intimately linked with the emergence of Brazil as a nation and cultural force during the first half of the 20th century. This applies especially to the two great cycles that he composed between 1920 and 1945: the 12 Choros and the 9 Bachianas Brasileiras. In the Choros the composer’s stated aim was to achieve a synthesis of the various musical influences of Brazil: the popular urban music (such as the dances of European origin performed by chorões or street musicians), the music brought from Africa by slaves, and the chants and rhythms of the native Indian tribes. The Choros range from solo pieces with durations of a couple of minutes to large-scale scores for expanded symphony orchestra, sometimes comprising choir or solo instruments. The cycle also includes an Introduction, as well as a brief ‘after-thought’: the Two Choros (bis). After the completion of the Choros, Villa-Lobos in 1930 began his next great project, the Bachianas Brasileiras. Admiring its ability to communicate across all boundaries in time or place, Villa-Lobos once described the music of Bach as ‘universal folk music’ and here attempted a fusion between Bach and Brazilian music. This cycle also consists of various scorings: from solo instrument to choir a cappella and symphony orchestra, with Villa-Lobos providing parallel versions of two of them (Nos 4 and 9). All of these are included in this collection, which comprises recordings made between 2002 and 2006, and released as separate discs to universal acclaim: ‘The complete set of Villa-Lobos's exotic and brilliant Bachianas Brasileiras surpasses, for me, all previous recordings in terms of execution, spirit and recorded sound’ wrote the reviewer in Fanfare, including the discs on his 2008 ‘Want-List’. Equally well-received, the cycle of Choros was already before its completion described as ‘a publishing feat’ on the website Klassik.com. The performances of the São Paulo Symphony Orchestra were naturally in focus: ‘The Brazilian players sound as if the music is in their blood … and their ensemble is in no way inferior to that of any of their rivals’ (Gramophone) and ‘a world-class ensemble providing an assured blend of lush colours, pulsating rhythms and supple phrasing’ (International Record Review) are only a couple of examples. The many solo performances appearing throughout the collection received similar praise, as witness the following examples: ‘No. 5 with Donna Brown has to be the quintessential performance of this most famous of Bachianas’ (American Record Guide), ‘Jean Louis Steuerman plays with great finesse and understanding’ (Gramophone), ‘Cristina Ortiz proves a peerless pianist in this unique piece [Choros No. 11] ’ (classiqueinfo-disque.com). This collection also includes a performance by the Berlin Philharmonic Wind Quintet of Quinteto em forma de choros (a work often mentioned in connection with the Choros even if it does not form part of the cycle) as well as a separate disc containing Anders Miolin’s recording of the complete music for solo guitar, much of which Villa-Lobos composed for the legendary Andres Segovia.

W cyklu „Original Album Series” prezentujemy pięć albumów legendarnej brytyjskiej formacji The Shadows, która kiedyś wspierała Cliffa Richarda, by później odnieść sukces na własny rachunek wspaniałymi kompozycjami instrumentalnymi. Kartonowy rękawek zawiera koperty z pierwszymi pięcioma wydawnictwami The Shadows z lat 1961-66. Absolutna klasyka muzyki.Tracklista: CD 1: The Shadows1. Shadoogie2. Blue Star3. Nivram4. Baby My Heart5. See You In My Drums6. All My Sorrows7. Stand Up And Say That8. Gonzales9. Find Me A Golden Street10. Theme From A Filleted Place11. That's My Desire12. My Resistance Is Low13. Sleepwalk14. Big Boy CD 2: Out Of The Shadows1. The Rumble2. The Bandit3. Cosy4. 18615. Perfidia6. Little 'B'7. Bo Diddley8. South Of The Border9. Spring Is Nearly Here10. Are They All Like You?11. Tales Of A Raggy Tramline12. Some Are Lonely13. Kinda Cool CD 3: Dance With The Shadows1. Chattanooga Choo Choo2. Blue Shadows (Stereo)3. Fandango4. Tonight5. That's The Way It Goes6. Big 'B'7. In The Mood8. The Lonely Bull (El Solo Toro)9. Dakota10. French Dressing (Stereo)11. The High And The Mighty12. Don't It Make You Feel Good13. Zambesi14. Temptation CD 4: The Sound Of The Shadows1. Brazil2. The Lost City3. A Little Bitty Tear4. Blue Sky, Blue Sea, Blue Me5. Bossa Roo6. Five Hundred Miles7. Cotton Pickin'8. Deep Purple9. Santa Ana10. The Windjammer11. Dean's Theme12. Breakthru'13. Let It Be Me14. National Provincial Samba CD 5: Shadow Music1. I Only Want To Be With You2. Fourth Street3. The Magic Doll4. Stay Around5. Maid Marion's Theme6. Benno-San7. Don't Stop Now8. In The Past9. Fly Me To The Moon (In Other Words)10. Now That You're Gone11. One Way To Love12. Razzmataz13. A Sigh (Un Sospero)14. March To Drina

ABBA to szwedzki zespół powstały w 1972 roku. Nazwa jest akronimem utworzonym z pierwszych liter imion członków: Anni-Frid Lyngstad, Benny Andersson, Björn Ulvaeus i Agnetha Fältskog. Zespół jest uważany za jeden najlepszych muzycznych talentów XX wieku i najbardziej kasową grupę w historii muzyki, o czym świadczy ponad 370 milionów sprzedanych albumów. ABBA zyskała międzynarodową popularność dzięki chwytliwym, łatwo wpadającym w ucho utworom z prostymi tekstami.

Glenn Gould to artysta obdarzony niezwykłą wyobraźnią muzyczną. Słuchacze doceniali jego interpretacje rozciągające się od genialnie pomysłowych, aż do (czasami) kompletnie ekscentrycznych. Tym razem Sony Classical przypomina jego niezwykłe interpretacje koncertów fortepianowych Ludwiga van Beethovena. Tracklista: LP 1 Side A Piano Concerto No. 1 C Major, Op. 15 1. I. Allegro con brio Cadenza by Glenn Gould Sdie B Piano Concerto No. 1 C Major, Op. 15 1. II. Largo 2. III. Rondo. Allegro Cadenza by Glenn Gould LP 2 Side C Piano Concerto No. 2 in B-Flat Major, Op. 19 1. I. Allegro con brio Sdie D Piano Concerto No. 2 in B-Flat Major, Op. 19 1. II. Adagio 2. III. Rondo - Molto allegro LP 3 Side E Piano Concerto No. 3 in C Minor, Op. 37 1. I. Allegro con brio Side F Piano Concerto No. 3 in C Minor, Op. 37 1. II. Largo 2. III. Rondo LP 4 Side G Piano Concerto No. 4 in G Major, Op. 58 1. I. Allegro moderato Side H Piano Concerto No. 4 in G Major, Op. 58 1. II. Andante con moto 2. III. Rondo: Vivace LP 5 Side I Piano Concerto No. 5 in E-Flat Major, Op. 73 1. I. Allegro Side J Piano Concerto No. 5 in E-Flat Major, Op. 73 1. II. Adagio un poco mosso 2. III. Rondo - Allegro ma non tanto