Tracklista:1. Cut Me, Baby2. Jona3. Crossed Mind Blues4. You're Not Ice5. Star Cluster6. Pyramid of Time7. Fictional Girl8. The Hill9. Litter Love10. Wobbly11. Heart Full of Rain12. Destroyers & Drones
Tracklista:1. Don't Push It, Don't Force It2. Daydream3. That's What Time It Is4. Love Is What We Came Here For5. If You're Looking for a Night of Fun (Look Past Me, I'm Not the One)6. Who You Been Giving It Up To?7. Lover's Rap8. Daydream (12" Disco Version)9. Don't Push It, Don't Force It (Single Version)10. If You're Looking for a Night of Fun (Look Past Me, I'm Not the One) (Single Version)11. Daydream (Single Version)
Tracklista:1. Machine En Prolepsis3. Clitorpus Christi2. Dog That Bit You4. Turnunders and Overpasses5. Oblivion6. 3 Bromides7. Broken Glass8. Snow On the FM9. Floating10. My O My11. Morning of My Life12. Oblivion Overture
Kultowi wykonawcy: Krystyna Prońko, Sławek Wierzcholski (Nocna Zmiana Bluesa), Jerzy Styczyński (Dżem), Ryszard Sygitowicz (Perfect), znakomite kompozycje Roberta Obcowskiego, sekcja rytmiczna złożona z czołówki polskich muzyków, niebanalne, klimatyczne choć i zaskakujące teksty... to tylko niektóre z atutów CD "Samotna kolacja” duetu Krystyna Prońko / Sławek Wierzcholski.Połączenie potencjałów dwojga artystów z odmiennych stylistyk dało niezwykły efekt piętnastu piosenek będących mieszanką soul / blues /country.Piosenki - dialogi między wokalistami tworzą zaskakujący efekt: niekiedy nostalgiczno-poetycki a czasem żartobliwy i ekspresyjny.
Płyta jest ukłonem złożonym dwudziestowiecznej tradycji współczesnej muzyki europejskiej, więcej jest tu elementów przypominających kompozycje Schönberga czy Weberna niż klasycznych jazzowych cytatów.Jest zadedykowana i zainspirowana twórczością gdańskiego kompozytora Janusza Hajduna, jednego z pionierów polskiej muzyki eksperymentalnej i improwizowanej.
Tracklista: 1. Beck's Bolero 2. Eternity's Breath 3. Stratus 4. Cause We've Ended As Lovers 5. Behind The Veil 6. You Never Know 7. Nadia 8. Blast From The East 9. Led Boots 10. Angel (Footsteps) 11. Scatterbrain 12. Medley: Goodbye Pork Pie Hat/Brush With The Blues 13. Space Boogie 14. Big Block 15. A Day In The Life 16. Where Were You
Three former members of the 80s New Romantic band Spandau Ballet (the missing members are Gary and Martin Kemp), Tony Hadley, Steve Norman and John Keeble are captured here doing what they do best at Pennington's in Yorkshire. Amongst the hits they perform are 'To Cut a Long Story Short' and 'True'.
Tracklista: 1. Fun 'N' Frenzy 2. Revelation 3. Crazy To Exist 4. It's Kinda Funny 5. The Angle 6. Forever Drone 7. Heart Of Song 8. 16 Years 9. Citizens 10. Sorry For Laughing 11. Radio Drill Time 12. Romance 13. Chance Meeting 14. Pictures 15. Final Request 16. The Missionary 17. Heaven Sent 18. Heart Of Song 19. Applebush
Tracklista:1. Everywhere You Go2. Travellin' All Alone3. Smooth Sailing4. Sleepy Head5. Sleepy Head6. Blue Evening7. I Couldn't Get to It8. Shake It Down9. What Do I Care?10. The Baltimore11. King Chanticleer12. Rose of Washington Square13. Isn't Love the Strangest Thing?14. It's You15. Let's Pretend There's a Moon16. Every Evening17. With My Love18. Say It With Your Feet/Happy Feet19. When Did You Leave Heaven?20. How Deep Is the Ocean?21. I Wish I Were Twins
The independent creative spirit of Bacewicz made her into something of a polymath. She wrote fiction as well as music, pursued a career in her native Poland and abroad as a violinist and orchestral leader, and had the skills and breadth of outlook to teach, although she rarely did until late in her life. Composition was her central activity, but she was free enough in her approach to escape the pressures of Stalinist conformism that made some of her contemporaries either succumb, or flee to a more welcoming environment. Widely performed and well liked, she belongs among those women composers who achieved fulfillment and public success in their lifetime, yet disappeared from the publishers' and performers' rounds with mysterious speed as soon as they are no longer here to impress themselves on the world. In her case the musical voice speaks in the neo-classical language of its time, makes use of folk motives, and has a distinctive vibrancy and wholeheartedness. She wrote prolifically for orchestra - four numbered symphonies and numerous concertos, including seven for violin.