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Sony Classical ma zaszczyt zaprosić do wysłuchania kompletu nagrań dla RCA - Ericka Friedmana, zmarłego w 2004 najwybitniejszego skrzypka XX wieku urodzonego w USA, pierwszego ucznia legendarnego Jaschy Heifetza. Na 9–ciu płytach możemy usłyszeć wybór największych sonat i koncertów skrzypcowych. Po raz pierwszy usłyszymy komplet nagrań sonat i partit J. S. Bacha po ich ponownym zmiksowaniu i zremasterowaniu. Prawdziwa gratka dla miłośników wielkiej wiolinistyki...Tracklista:CD 1: LSC-25771. Beethoven: Violin Sonata No. 9 in A Major, Op.47 "Kreutzer" with Jascha Heifetz, violin; Brooks Smith, piano2. Bach: Concerto in D Minor for Two Violins, BWV 1043 with Jascha Heifetz, violin; Erik Friedman, violinCD 2: LSC-26101. Paganini: Concerto for Violin No. 1 in D major, Op. 62. Saint-Saens: Introduction and Rondo capriccioso for Violin and Orchestra in A minor, Op. 28CD 3: LSC-26711. Tartini-Francescatti: Variations on a Theme of Corelli  2. Castelnuovo-Tedesco-Heifetz: Sea Murmurs  3. Wieniawski: Scherzo tarantelle in G Minor, Op. 16  4. Tchaikovsky: Sérénade mélancolique, Op. 26  5. Rimsky-Korsakov-Heifetz: Tale of Tsar Saltan: Suite, Op. 57 - Flight of the Bumblebee  6. Kreisler: Minuet in the Style of Porpora  7. Szymanowski: Romance in D Major, Op. 23  8. Mozart: Rondo in C Major, K. 373  9. Paganini: 24 Caprices for Violin Solo, Op. 1: Caprice No. 17 in E-Flat Major  10. Paganini: 24 Caprices for Violin Solo, Op. 1: Caprice No. 21 in A Major  11. Dinicu-Heifetz: Hora staccato  12. Kreisler-De Falla: La vida breve: Spanish Dance  CD 4: LSC-26891. Sarasate: Zigeunerweisen, Op. 202. Wieniawski: Légende, Op. 173. Saint-Saëns: Havanaise, Op. 834. Chausson: Počme, Op. 255. Ravel: Tzigane (Rapsodie de concert)CD 5: LSC-27321. Prokofiev: Violin Concerto No. 1 in D Major, Op. 192. Prokofiev: Piano Concerto No. 5 in G Major, Op. 55 with Lorin Hollander, pianoCD 6: LSC-70331. Bach, J.S.: Sonata No. 1 in B minor for Violin and Harpsichord, BWV 10142. Bach, J.S.: Sonata No. 2 in A Major for Violin and Harpsichord, BWV 10153. Bach, J.S.: Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016CD 7Bach, J.S.: Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017Bach, J.S.: Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018Bach, J.S.: Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019Bach, J.S.: Chaconne in D MinorCD 8: LSC-28651. Tchaikovsky: Violin Concerto in D Major, Op. 352. Mendelssohn: Violin Concerto in E Minor, Op. 64CD 9: LSC-29071. Franck: Violin Sonata in A2. Debussy: Violin Sonata in A


  • Wykonawca Friedman Erick
  • Data premiery 2017-06-02
  • Nośnik CD

Album został wydany przez wytwórnię APR (APR 6027). Wydawnictwo otrzymało nagrodę Diapason d'Or (Diapason, 01-2019). Tracklista: CD 1 Ludwig Van Beethoven: 1. Piano Concerto No. 4 In G Major, Op. 58 2. Piano Concerto No. 5 In E Flat Major, Op. 73 ‘Emperor’ CD 2 Ludwig Van Beethoven: 3. Sonata No. 8 In C Minor, Op. 13, ‘Pathétique’ 4. Sonata No. 14 In C Sharp Minor, Op. 27/2, ‘Moonlight’ 5. Sonata No. 26 In E Flat Major, Op. 81a, ‘Les Adieux’ 6. Sonata No. 32 In C Minor, Op. 111 Johann Sebastian Bach: 7. Prelude And Fugue No. 1 In C Major, BWV 846 8. Prelude And Fugue No. 22 In B Flat Minor, BWV 867 9. Pastorale From Christmas Oratorio, BWV 248 (Arr. Clarence Lucas)


  • Wykonawca London Symphony Orchestra , Backhaus Wilhelm
  • Data premiery 2018-06-01
  • Nośnik CD
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Colin Carr jest częstym gościem festiwali i koncertów. Jest śpiewakiem, nauczycielem, ale – przede wszystkim – wiolonczelistą. Jak sam mówi, z radością wraca do suit wiolonczelowych Bach – cyklu kompozycji, które z pewnością są jedną z najważniejszych kompozycji na wiolonczelę solo. Płyta jest wyróżniona Gramophone Editor's Choice.


  • Wykonawca Carr Colin
  • Data premiery 2013-11-01
  • Nośnik CD
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Tracklista:1. Antonio Vivaldi - Cztery Pory Roku - Wiosna2. Fryderyk Chopin - Walc cis-moll3. George Bizet Carmen - Torreadorzy4. Jan Sebastian Bach - Aria na strunie G5. Johann Strauss II - Trisch-Trasch Polka6. Claude Debussy - La Plus que Lente7. Arcangelo Corelli - Scherzo "Żart"8. Henryk Wieniawski - Kujawiak9. Antonio Vivaldi - Cztery Pory Roku - Lato10. Camille Saint-Saens - Łabądź z suity' Karnawał Zwierząt"11. Georges Bizet - Carmen - Intermezzo12. Jan Sebastian Bach - Toccata i fuga d-moll BWV 56513. Piotr Czajkowski - Serenada na Smyczki - Walc14. George Friedrich Haendel - Alleluja z oratorium "Mesjasz"15. Antonio Vivaldi - Cztery Pory Roku - jesień16. Claude Debussy - Preludium "Dziewczyna z Lnianymi WIosami"17. Aleksander Borodin - Kniaż Igor - Taftce Polowieckie18. Franz Schubert - Serenada19. Antonio Vivaldi - Cztery Pory ROku - Zima20. Claude Debussy - Światło księżyca z suity ''Bergamasque''21. Johann Strauss II - Nad Pięknym Modrym Dunajem


  • Wykonawca Various Artists
  • Data premiery 2012-04-18
  • Nośnik CD
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  Bach’s direct source of inspiration for the cello suites was most probably the virtuoso cello playing of Christian Ferdinand Abel, also in the service of Prince Leopold of Köthen and a superb violinist and viola da gamba player as well. This must, however, remain guesswork, as the original manuscripts of the cello suites have been lost. It is primarily thanks to Anna Magdalena Bach, Bach’s second wife and a singer in service to Prince Leopold with the title of Cammer-Musicantin, that we owe the survival of these works. It was she who prepared many first copies of Bach’s works, including the earliest known copy of the cello suites. Quirine Viersen uses the most recent edition from Bärenreiter as the basis for her first recording of the Bach cello suites; this edition is an amalgamation of four manuscript copies, including the original copy by Anna Magdalena Bach. After in-depth study of the Bärenreiter edition and of the historical musicological works by Mattheson, Leopold Mozart and Quantz, the greatest musical theorists of the Baroque era and the forefathers of today’s historically informed performance movement, Quirine Viersen allowed herself to be guided by instinct rather than by intellect and finally decided to follow her own intuition. Having said this, she did study the Suites with her teacher Heinrich Schiff, played them in a masterclass with Yo-Yo Ma and took lessons with no one less than Nikolaus Harnoncourt. But most of all she took to heart the lessons she received from her own father Yke Viersen: principal Cellist with the Concertgebouw Orchestra for the last 30 years. Quirine Viersen about the Suites: “Even though the suites were not composed for ecclesiastical use, they do seem to deal with higher matters. This has nothing to do with ‘Amen’ or ‘Allah hu akbar’. I feel that we are people who attempt to come as close as possible to the heart of our existence. In many ways we have possibly become a little unworthy; we have torn ourselves loose and have completely forgotten that things can often have a deeper meaning, that these things can exist in a broader context. This was self-evident to Bach, for his life and his works were permeated with awe for higher things, for God. This was an integral part of the time in which he lived. Bach was not simply a man whose musical genius would never be equalled but was also an enthusiastic and inspired craftsman who set himself the highest demands.” “The German language draws a felicitous distinction between two different types of people: Kopfmensch and Bauchmensch. The first relies on his head, his intellect, whilst the second relies on his belly, his gut feelings. I am clearly a Bauchmensch. When I am on stage I am principally concerned with what I feel, with trying to express what I believe lies inside Bach’s music. What was Bach’s intention in composing his suites for cello? For me they are a landscape in which everything exists to be discovered afresh. Many musical narratives are possible and each landscape has its own perfumes and colours; each movement represents a particular state of mind. To traverse Bach’s music is to traverse infinity.”  


  • Wykonawca Viersen Quirine
  • Data premiery 2011-09-01
  • Nośnik SACD
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Z okazji 300-lecia urodzin Carla Philippa Bacha niemiecka firma Haenssler zaplanowała nowy cykl wydawniczy z jego muzyką. Prezentowany tom zawiera komplet sześciu symfonii hamburskich, skomponowanych po 1768 roku, kiedy to CPE Bach sprowadził się do Hamburga i objął po swoim ojcu chrzestnym, Georgu Philippie Telemannie, stanowisko kantora i dyrektora muzyki.


  • Wykonawca Stuttgarter Kammerorchester
  • Data premiery 2014-02-01
  • Nośnik CD
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