34-płytowy zestaw nagrań Philippe Entremont’ a - francuskiego pianisty i dyrygenta. Szczególne uznanie jako pianiście przyniosły mu wykonania repertuaru z początku XX wieku oraz muzyki klasyczno-romantycznej. Entremont urodził się w rodzinie muzyków. Matka była pianistką, ojciec zaś dyrygentem Opery w Strasburgu. Został Laureatem międzynarodowego Konkursu Long-Thibaud  w wieku 16 lat, rok później wygrał w Brukseli konkurs sponsorowany przez królową Elżbietę Belgijską. Zadebiutował w 1951 w Barcelonie. W ciągu pięciu lat został okrzyknięty nowym, wielkim odkryciem europejskiej pianistyki. Tournée po  Ameryce Południowej i Stanach Zjednoczonych zaowocowały dalszymi sukcesami. W 1954, po przesłuchaniu przez Eugene' a Ormandy' ego, otrzymał propozycję debiutu z jego Orkiestrą Filadelfijską, który odbył się w listopadzie 1956. Występował jako pianista na pięciu kontynentach w niemal wszystkich najważniejszych ośrodkach muzycznych i z towarzyszeniem najwspanialszych orkiestr, oraz na wielu światowej rangi festiwalach. Chętnie bierze udział  w koncertach muzyki kameralnej, z udziałaem wielkich gwiazd muzyki klasycznej,  m. in. Jean-Pierre Rampal. Tracklista: CD 1: LC 3316 1. Chopin: Ballade in A-Flat Major, Op. 47 2. Chopin: Nocturne in D-Flat Major, Op. 27, No. 2 3. Chopin: Impromptu in A-Flat Major, Op. 29 4. Chopin: Tarantelle in A-Flat Major, Op. 43 5. Chopin: Scherzo No. 1 in B Minor, Op. 20 6. Chopin: Polonaise in F-Sharp Minor, Op. 44 7. Chopin: Polonaise in A Major, Op. 40, No. 1 CD 2: ML 5366 Mussorgsky: Pictures at an Exhibition (Excerpts) 1. Ravel: Miroirs: IV. Alborada del gracioso 2. Ravel: Pavane pour une infante défunte CD 3: MS 6118 1. Chopin: Ballade No. 1 in G Minor, Op. 23 2. Chopin: Ballade No. 2 in F Major, Op. 38 3. Chopin: Ballade No. 3 in A-Flat Major, Op. 47 4. Chopin: Ballade No. 4 in F Minor, Op. 52 CD 4: MS 6135 1. Beethoven: Sonata No. 3 in A Major for Cello and Piano, Op. 69 2. Brahms: Sonata for Cello and Piano in F Major, Op. 99 CD 5: MS 6214 1. Debussy: Reflets dans l'eau 2. Debussy: L'isle joyeuse 3. Debussy: Danseuses de delphes 4. Debussy: La sérénade interrompue 5. Debussy: La cathédrale engloutie 6. Debussy: La danse de Puck 7. Debussy: Minstrels 8. Debussy: Deux Arabesques 9. Debussy: La Plus que Lente 10. Debussy: La puerta del vino 11. Debussy: Général Lavine 12. Debussy: Feux d'artifice from Préludes, Book 2, No. 12 13. Debussy: Clair de lune CD 6: MS 6446 1. Tchaikovsky: Humoresque, Op. 10, No. 2 2. Tchaikovsky: Capriccioso, Op. 19, No. 5 3. Tchaikovsky: Valse Scherzo, Op. 7 4. Tchaikovsky: Song without Words, Op. 40, No. 6 5. Tchaikovsky: Mazurka, Op. 9, No. 3 6. Tchaikovsky: Chanson Triste, Op. 40, No. 2 7. Tchaikovsky: Barcarolle, Op. 37, No. 6 8. Tchaikovsky: Scherzo, Op. 40, No. 11 9. Tchaikovsky: Song without Words, Op. 2, No. 3 10. Tchaikovsky: Romance, Op. 5 11. Tchaikovsky: Nocturne, Op. 19, No. 4 12. Tchaikovsky: Scherzo Humoristique, Op. 19, No. 2 CD 7: MS 6567 1. Debussy: Pour le piano 2. Debussy: Images, Book I 3. Debussy: Images, Book II 4. Debussy: Children's Corner Suite CD 8: MS 6723 1. Liszt: Liebestraum 2. Liszt: Concert Etude No. 2 in F Minor (La leggierezza) 3. Liszt: Consolation No. 3 4. Liszt: Mephisto Waltz 5. Liszt: Concert Etude No. 3 in D-Flat Major (Un sospiro) 6. Liszt: Valse oubliée 7. Liszt: Hungarian Rhapsody No. 15 (Rákóczy March) 8. Liszt: Canzonetta Del Salvator Rosa (from "Années de Pčlerinage") 9. Liszt: Hungarian Rhapsody No. 2 CD 9: MS 7196 1. Chopin: Waltz No. 1 in E-flat Major, Op. 18 "Grande Valse Brilliante" 2. Chopin: Waltz No. 2 in A-Flat Major, Op. 34, No. 1 3. Chopin: Waltz No. 3 in A Minor, Op. 34, No. 2 4. Chopin: Waltz No. 4 in F Major, Op. 34, No. 3 5. Chopin: Waltz No. 5 in A-Flat Major, Op. 42 6. Chopin: Waltz No. 6 in D-flat Major, Op. 64, No. 1 "Minute Waltz" 7. Chopin: Waltz No. 7 in C-sharp minor, Op. 64, No. 2 8. Chopin: Waltz No. 8 in A-Flat Major, Op. 64, No. 3 9. Chopin: Waltz No. 9 in A-Flat Major, Op. 69, No. 1 10. Chopin: Waltz No. 10 in B Minor, Op. 69, No. 2 11. Chopin: Waltz No. 11 in G-flat Major, Op. 70, No. 1 12. Chopin: Waltz No. 12 in F Minor, Op. 70, No. 2 13. Chopin: Waltz No. 13 in D-Flat Major, Op. 70, No. 3 14. Chopin: Waltz No. 14 in E Minor, Op. Posth. CD 10: MS 7229 1. Beethoven: Sonata No. 14 in C-sharp minor, Op. 27, No. 2 "Moonlight": I. Adagio sostenuto   2. Brahms: Hungarian Dance No. 6 3. Schumann: Träumerei, Op. 15 4. Granados: Danza Espańola, No. 5 5. Rubinstein: Melody in F, Op. 3, No. 1 6. Prokofiev: Gavotte from Symphony No. 1 in D Major, Op. 25 "Classical" 7. Chopin: Etude in C minor, Op. 10, No. 12 "Revolutionary" 8. Bach, J.S.: Jesu, Joy of Man's Desiring 9. Mendelssohn: Spinning Song, Op. 67, No. 4 10. Dvořák: Humoresque in G-flat Major, Op. 101, No. 7 11. Paderewski: Minuet in G Major, Op. 14, No. 1 12. Chopin: Polonaise in A-Flat Major, Op. 53 CD 11: MS 7328 1. Chopin: Polonaise in C-Sharp Minor, Op. 26, No. 1 2. Chopin: Polonaise in E-Flat Minor, Op. 26, No. 2 3. Chopin: Polonaise in A Major, Op. 40, No. 1 "Military" 4. Chopin: Polonaise in C Minor, Op. 40, No. 2 5. Chopin: Polonaise in F-Sharp Minor, Op. 44 6. Chopin: Polonaise in A-flat Major, Op. 53 CD 12: M 30076 1. Chopin: Ballade No. 1 in G Minor, Op. 23 2. Chopin: Ballade No. 2 in F Major, Op. 38 3. Chopin: Ballade No. 3 in A-Flat Major, Op. 47 4. Chopin: Ballade No. 4 in F Minor, Op. 52 CD 13: M 30945 1. Chopin: Scherzo No. 1 in B Minor, Op. 20 2. Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31 3. Chopin: Scherzo No. 3 in C-sharp Minor, Op. 39 4. Chopin: Scherzo No. 4 in E Major, Op. 54 CD 14: M 32070 1. Ravel: Rigaudon from "Le tombeau de Couperin" 2. Ravel: Pavane for a dead princess 3. Ravel: Miroirs: IV. Alborada del gracioso 4. Debussy: Girl with the Flaxen Hair 5. Debussy: Ręverie 6. Chabrier: Scherzo-Valse 7. Satie: Gymnopédie No. 1 8. Satie: Gymnopédie No. 2 9. Satie: Gymnopédie No. 3 10. Fauré: Nocturne No. 6, Op. 63 11. Fauré: Impromptu, No. 3, Op. 34 12. Poulenc: Toccata from "Trois Pičces" CD 15: SOCL 143 (Japan) 1. Burgmüller: 25 Études faciles et progressives, Op.100 CD 16: SOCL 287 (Japan) 1. Bach, J.S.: Invention No. 1 in C Major, BWV 772 2. Bach, J.S.: Invention No. 2 in C Minor, BWV 773 3. Bach, J.S.: Invention No. 3 in D Major, BWV 774 4. Bach, J.S.: Invention No. 4 in D Minor, BWV 775 5. Bach, J.S.: Invention No. 5 in E-Flat Major, BVW 776 6. Bach, J.S.: Invention No. 6 in E Major, BWV 777 7. Bach, J.S.: Invention No. 7 in E Minor, BWV 778 8. Bach, J.S.: Invention No. 8 in F Major, BWV 779 9. Bach, J.S.: Invention No. 9 in F Minor, BWV 780 10. Bach, J.S.: Invention No. 10 in G Major, BVW 781 11. Bach, J.S.: Invention No. 11 in G Minor, BWV 782 12. Bach, J.S.: Invention No. 12 in A Major, BWV 783 13. Bach, J.S.: Invention No. 13 in A Minor, BWV 784 14. Bach, J.S.: Invention No. 14 in B-Flat Major, BWV 785 15. Bach, J.S.: Invention No. 15 in B Minor, BWV 786 16. Bach, J.S.: Sinfonia No. 1 in C Major, BWV 787 17. Bach, J.S.: Sinfonia No. 2 in C Minor, BWV 788 18. Bach, J.S.: Sinfonia No. 3 in D Major, BWV 789 19. Bach, J.S.: Sinfonia No. 4 in D Minor, BWV 790 20. Bach, J.S.: Sinfonia No. 5 in E-Flat Major, BWV 791 21. Bach, J.S.: Sinfonia No. 6 in E Major, BWV 792 22. Bach, J.S.: Sinfonia No. 7 in E Minor, BWV 793 23. Bach, J.S.: Sinfonia No. 8 in F Major, BWV 794 24. Bach, J.S.: Sinfonia No. 9 in F Minor, BWV 795 25. Bach, J.S.: Sinfonia No. 10 in G Major, BWV 796 26. Bach, J.S.: Sinfonia No. 11 in G Minor, BWV 797 27. Bach, J.S.: Sinfonia No. 12 in A Major, BWV 798 28. Bach, J.S.: Sinfonia No. 13 in A Minor, BWV 799 29. Bach, J.S.: Sinfonia No. 14 in B-Flat Major, BWV 800 30. Bach, J.S.: Sinfonia No. 15 in B Minor, BWV 801 CD 17: SOCL 288 (Japan) 1. Bach, J.S.: Anna Magdalena Bach's Notebook (Selections) CD 18: MG 33202 1. Kuhlau: Sonatina, Op. 20, No. 1 2. Kuhlau: Sonatina, Op. 20, No. 2 3. Kuhlau: Sonatina, Op. 20, No. 3 4. Kuhlau: Sonatina, Op. 55, No. 1 5. Kuhlau: Sonatina, Op. 55, No. 2 6. Kuhlau: Sonatina, Op. 55, No. 3 7. Clementi: Sonatina, Op. 36, No. 1 8. Clementi: Sonatina, Op. 36, No. 2 9. Clementi: Sonatina, Op. 36, No. 3 CD 19: MG 33202 1. Clementi: Sonatina, Op. 36, No. 4 2. Clementi: Sonatina, Op. 36, No. 5 3. Clementi: Sonatina, Op. 36, No. 6 4. Haydn: Sonata in C Major (Hob. XVI: 35) 5. Mozart: Sonata No. 15 in C Major, K. 545 6. Beethoven: Sonata No. 20 in G Major, Op. 49, No. 2 7. Beethoven: Sonata No. 19 in G Minor, Op. 49, No. 1 8. Dussek: Sonatina, Op. 20, No. 1 CD 20: D3M 33311 1. Ravel: Pavane pour une infante défunte 2. Ravel: A la maničre de... 3. Ravel: Sonatine 4. Ravel: Miroirs 5. Ravel: Ma mčre l'oye 6. Ravel: Habanera 7. Ravel: Jeux d'eau CD 21: D3M 33311 1. Ravel: Gaspard de la nuit 2. Ravel: Menuet antique 3. Ravel: Le tombeau de Couperin 4. Ravel: Valse nobles et sentimentales 5. Ravel: Prélude 6. Ravel: Menuet sur le nom d'Haydn CD 22: 40AG 78 (Japan) 1. Haydn: Piano Sonata No. 48 C major, Hob. XVI: 35 2. Haydn: Piano Sonata No. 25 in G major, Hob. XVI: 27 3. Haydn: Piano Sonata No. 50 D major, Hob. XVI: 37 4. Haydn: Piano Sonata No. 32 C sharp minor, Hob. XVI: 36 CD 23: 40AG 79 (Japan) 1. Haydn: Piano Sonata No. 53 E minor, Hob. XVI, 34 2. Mozart: Piano Sonata No. 16 in C Major, K. 545 "Sonata facile" 3. Mozart: Piano Sonata in F major, K. 547a (Anh. 135) 4. Mozart: Piano Sonata No. 12 in F Major, K. 332/300k CD 24: 40AG 80 (Japan) 1. Mozart: Piano Sonata No. 5 in G Major, K. 283 2. Mozart: Piano Sonata No. 11 in A Major, K. 331/300i CD 25: 40AG 81 (Japan) 1. Beethoven: Piano Sonata No. 19 in G Minor, Op. 49, No. 1 2. Beethoven: Piano Sonata No. 20 in G Major, Op. 49, No. 2 3. Beethoven: Piano Sonata No. 25 in G Major, Op. 79 4. Beethoven: Piano Sonata No. 9 in E Major, Op. 14, No. 1 5. Beethoven: Piano Sonata No. 10 in G Major, Op. 14, No. 2 CD 26: 30 AC 91/92 (Japan) 1. Rameau: Le tambourin 2. Bach, J.S.: Jesu, Joy of Man's Desiring 3. Bach, J.S.: Wachet auf, ruft uns die Stimme 4. Daquin: Le coucou 5. Beethoven: Turkish March from "The Ruins of Athens" 6. Field: Nocturne 7. Liszt: Liebestraum 8. Rubinstein: Reve Angelique 9. Brahms: Hungarian Dance No. 5 10. Tchaikovsky: Chanson Triste, Op. 40, No. 2 11. Grieg: Anitra's Dance from "Peer Gynt" 12. Albéniz: Tango 13. Debussy: Clair de lune 14. Debussy: Arabesque No. 1 15. Debussy: Arabesque No. 2 16. Debussy: La fille aux cheveux de lin (Girl with the Flaxen Hair) 17. Rachmaninoff: Prelude in G Minor. Op. 23, no .5 CD 27: M 35832 1. Dohnányi: Variationen über ein Kinderlied (Variations on a nursery theme), op. 25 2. Strauss: Burleske in D minor 3. Litolff: Scherzo (from Concerto Symphonique No. 4 in D Minor, Op. 102 CD 28: M 35851 1. Saint-Saens: Carnival of the Animals (Chamber Version) 2. Saint-Saens: Variations on a Theme of Beethoven, Op. 35 3. Saint-Saens: Polonaise, Op. 77 CD 29: M 36666 1. Ravel: Histoires naturelles 2. Satie: Le vhapelier 3. Satie: Tendrement 4. Satie: Daphénéo 5. Satie: L'omnibus automobile 6. Satie: La Statue de bronze 7. Satie: Je te veux 8. Satie: Chanson du chat 9. Satie: La diva de "L'empire" CD 30: IM 37247 1. Satie: Je te veux 2. Satie: Poudre d'or 3. Satie: Gymnopédie No. 1 4. Satie: Gymnopédie No. 2 5. Satie: Gymnopédie No. 3 6. Satie: Descriptions Automatiques 7. Satie: Les trois valses distingúees du precieux dégoűté 8. Satie: Gnossienne Nos. 1-3 9. Satie: Croquis & agaceries d'un gros bonhomme en bois 10. Satie: Avant-derničres penseés 11. Satie: Premier Nocturne CD 31: 30 CD-760 (Japan) 1. Chopin: Waltz No. 3 in A Minor, Op. 34, No. 2 2. Chopin: Waltz No.1 in E-flat Major, Op.18 "Grande Valse Brillante" 3. Chopin: Prelude in A Major, Op.28, No. 7 4. Chopin: Etude in G-Flat Major, Op. 10-5 "Black Keys" 5. Chopin: Etude in C minor, Op. 10, No. 12 "Revolutionary" 6. Chopin: 3 Écossaises, Op. 72 No. 3 7. Chopin: Prelude in D flat major, Op.28, No.15 "Raindrop" 8. Chopin: Polonaise in A Major, Op. 40, No. 1 9. Chopin: Nocturne in B flat minor, Op.9 No.1 10. Chopin: Mazurka in B flat major, Op.7 No.1 11. Chopin: Étude in E Major, Op. 10 No. 3 "Tristesse" CD 32: 30DC-782 (Japan) 1. Beethoven: Bagatelle in A Minor Wo0 59 "Für Elise" 2. Schubert: Moment Musicaux, No. 3 3. Mendelssohn: Frühlingslied, Op. 62-6 4. Mozart: Variations on "Ah! Dirai-je, Maman" K.265 5. Dvořák: Humoresque in G-flat Major, Op. 101, No. 7 6. Handel: The Harmonius Blacksmith 7. Beethoven: Minuet in G Major, WoO 10, No. 2 8. Schumann: Fröhlicher Landmann 9. Tchaikovsky: Barcarolle, Op. 37, No. 6 10. Ravel: Jeux d'eau 11. Debussy: Arabesque No. 1 12. Falla: Ritual Fire Dance 13. Debussy: Ręverie 14. Beethoven: Marcia alla turca CD 33: 30 DC-1011 (Japan) 1. Bach, J.S.: Siciliano from Sonata in E-flat Major, BWV 1031 2. Daquin: Le coucou 3. Schumann: Träumerei, Op. 15 4. Rameau: Le tambourin 5. Albéniz: Tango 6. Rubinstein: Melody in F, Op. 3, No. 1 7. Rachmaninoff: Prelude No. 6 in G Minor Op.23-5 8. Rachmaninoff: Prelude in C-sharp Minor Op. 3-2 9. Liszt: Concert Etude No. 3 in D-Flat Major (Un sospiro) 10. Liszt: Consolation No. 3 11. Debussy: Golliworg's Cake-Walk 12. Ravel: Pavane pour une infante défunte 13. Prokofiev: March from "Love for Three Oranges", Op. 33 CD 34: MS 6886 1. Chopin: Fantaisie-impromptu, Op. 66 2. Daquin: Le coucou 3. Prokofiev: March from "Love for Three Oranges", Op. 33 4. Chopin: Prelude in C-sharp minor, Op. 3, No. 2 5. Mendelssohn: Scherzo in E Minor, Op. 16, No. 2 6. Chopin: Nocturne in E-flat Major, Op. 9, No. 2 7. Albéniz: Sevilla from "Suite Espańola" 8. Gershwin: Prelude No. 2 9. Falla: Ritual Fire Dance 10. Brahms: Waltz No. 15 in A-Flat Major, Op. 39 11. Mozart: Rondo Alla Turca from Sonata No. 11 in A Major, K. 331 12. Schubert: Moment Musical in F Minor, Op. 94, No. 3 13. Beethoven: Bagatelle in A Minor Wo0 59 "Für Elise" 14. Liszt: Gnomenreigen 15. Chopin: Trois Écossaises, Op. 72, No. 3

• Wykonawca Entremont Philippe
• Data premiery 2019-05-31
• Nośnik CD

Tracklista:1. Passionslied2. Bitten3. Prüfung Am Abend4. Abendlied5. Busslied6. Trost Eines Schwermüthigen Christen7. 'Seyn Oder Nicht-seyn', Phantasie Von C.P.E. Bach Mit Untergelegtem Text Von Gerstenberg8. Uber Die Finsternis Kurz Vor Dem Tode Jesu9. Passionslied10. Der Tag Des Weltgerichts11. Empfindungen in Der Sommernacht12. Der Frühling

• Data premiery 2014-03-31
• Nośnik CD / Album

50 najważniejszych nagrań legendarnego Mścisława Rostropowicza! Tracklista: CD 1 1. Schumann- Cello Concerto Langsam 2-4. Saint-Saëns- Cello Concerto No. 1 5. Dvořák- Cello Concerto Allegro 6-7. Tchaikovsky- Variations ON A Rococo Theme Variations Vi, Vii & Coda 8. Bloch- Schelomo 9. Brahms- Double Concerto Vivace NON TROPPO 10. Haydn- Cello Concerto No. 1 Allegro MOLTO 11. Haydn- Cello Concerto No. 2 Rondo 12-13. Vivaldi- Cello Concerto Allegro NON MOLTO, Andante 14. Tartini- Cello Concerto Allegro CD 2  Bach Cello Suites 1-2. No. 1 Bwv 1007 Prélude, Courante 3-5. No. 4 Bwv 1010 Prélude, Courante, Bourrée I 6. No. 5 Bwv 1011 Sarabande 7-8. No. 2 Bwv 1008 Prélude, Gigue 9-10. No. 3 Bwv 1009 Prélude, Allemande 11. No. 6 Bwv 1012 Courante 12. Bach- Concerto IN D MINOR AFTER Alessandro Marcello Adagio 13. Bach- Adagio Bwv 564 14. Schubert- Impromptu No. 3 D. 899 15. Beethoven- 12 Variations ON "Ein Mädchen ODER Weibchen" Excerpts 16. Brahms- Cello Sonata No. 2 Adagio AFFETUOSO 17. Saint-Saëns- Prière 18. Debussy- Minstrels 19. Debussy- Clair DE LUNE 20. Fauré- Après UN RÊVE 21. R. Strauss- An EINSAMER Quelle 22. Popper- Elfentanz CD 3 1. Tchaikovsky- Symphony No. 6 "Pathétique" Finale 2. Tchaikovsky- Symphony No. 2 "Little Russian" Scherzo 3. Tchaikovsky- Symphony No. 3 "Polish" Scherzo 4. Tchaikovsky- Symphony No. 5 Valse 5. Dvořák- Symphony No. 8 Allegretto GRAZIOSO 6. Dvořák- Symphony No. 9 "From THE New World" Allegro CON FUOCO 7-8. Prokofiev- Symphony No. 1 "Classical" Allegro, Gavotte 9. Shostakovich- Symphony No. 6 Presto 10. Shostakovich- Cello Concerto No. 1 Allegretto 11. Rachmaninov- Vocalise 12. Prokofiev- Cinderella Waltz-Coda 13. Prokofiev- March FROM The Love FOR Three Oranges 14. Piazzolla- Le Grand Tango

• Wykonawca Rostropovich Mstislav
• Data premiery 2018-06-22
• Nośnik CD

Tracklista:  Otto Ernst Gregorius Schieferlein 1. Sonata a 3 (No. 1 in E minor) per Violoncello Concerto, Violino Concerto, e Basso Continuo 2. Sonata a 3 (no 2 in F major) 3. Sonata a 3 (no 3 in A major)  Georg Philipp Telemann 4. Trio Sonata TWV42:g7  Carl Philipp Emanuel Bach 5. Fantasia in D major Wq. 117/14, H. 160 6. Trio Sonata in G Major for flute, violin, and continuo, Wq. 150, H. 574

• Wykonawca Pallade Musica
• Data premiery 2017-12-01
• Nośnik CD

Tracklista: CD 1 1. Organ Chorale Prelude: Johann Sebastian Bach, Da Jesus an dem Kreuze Stund, BWV 621 2. Congregational Chorale: Johann Hermann Schein, Da Jesus an dem Kreuze Stund 3. Organ Prelude to the Passion: Dietrich Buxtehude, Praeludium in F-sharp minor, BuxWV 146 (extract) 4. Chorus: Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist! 5. Recitative: Jesus ging mit seinen Jüngern über den Bach Kidron 6. Chorus: Jesum von Nazareth 7. Recitative: Jesus spricht zu ihnen 8. Chorus: Jesum von Nazareth 9. Recitative: Jesus antwortete: Ich hab’s euch gesagt, daß ich’s sei 10. Chorale: O große Lieb, o Lieb ohn’ alle Maße 11. Recitative: Auf daß das Wort erfüllet würde 12. Chorale: Dein Will gescheh, Herr Gott, zugleich 13. Recitative: Die Schar aber und der Oberhauptmann 14. Aria: Von den Stricken meiner Sünden 15. Recitative: Simon Petrus aber folgete Jesu nach 16. Aria: Ich folge dir gleichfalls mit freudigen Schritten 17. Recitative: Derselbige Jünger war dem Hohenpriester bekannt 18. Chorale: Wer hat dich so geschlagen 19. Recitative: Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas 20. Chorus: Bist du nicht seiner Jünger einer? 21. Recitative: Er leugnete aber 22. Aria: Ach, mein Sinn 23. Chorale: Petrus, der nicht denkt zurück 24. Organ Chorale Prelude: Johann Sebastian Bach, O Lamm Gottes unschuldig, BWV 618 25. Congregational Chorale: O Lamm Gottes unschuldig 26. Organ Choral Prelude: Johann Sebastian Bach, Christus, der uns selig macht, BWV 620 27. Chorale: Christus, der uns selig macht 28. Recitative: Da führeten sie Jesum von Kaipha vor das Richthaus 29. Chorus: Wäre dieser nicht ein Übeltäter 30. Recitative: Da sprach Pilatus zu ihnen 31. Chorus: Wir dürfen niemand töten 32. Recitative: Auf daß erfüllet würde das Wort Jesu 33. Chorale: Ach großer König, groß zu allen Zeiten 34. Recitative: Da sprach Pilatus zu ihm 35. Chorus: Nicht diesen, sondern Barrabam! 36. Recitative: Barrabas aber war ein Mörder 37. Arioso: Betrachte, meine Seel, mit ängstlichem Vergnügen 38. Aria: Erwäge, wie sein blutgefärbter Rücken CD 2 1. Recitative: Und die Kriegsknechte flochten eine Krone von Dornen 2. Chorus: Sei gegrüßet, lieber Jüdenkönig! 3. Recitative: Und gaben ihm Backenstreiche 4. Chorus: Kreuzige, kreuzige! 5. Recitative: Pilatus sprach zu ihnen 6. Chorus: Wir haben ein Gesetz, und nach dem Gesetz soll er sterben 7. Recitative: Da Pilatus das Wort hörete, fürchtet’ er sich noch mehr 8. Chorale: Durch dein Gefängnis, Gottes Sohn 9. Recitative: Die Jüden aber schrieen 10. Chorus: Lässest du diesen los, so bist du des Kaisers Freund nicht 11. Recitative: Da Pilatus das Wort hörete, führete er Jesum heraus 12. Chorus: Weg, weg mit dem, kreuzige ihn! 13. Recitative: Spricht Pilatus zu ihnen 14. Chorus: Wir haben keinen König denn den Kaiser 15. Recitative: Da überantwortete er ihn daß er gekreuziget würde 16. Aria with Chorus: Eilt, ihr angefochtnen Seelen 17. Recitative: Allda kreuzigten sie ihn 18. Chorus: Schreibe nicht: der Jüden König 19. Recitative: Pilatus antwortet 20. Chorale: In meines Herzens Grunde 21. Recitative: Die Kriegsknechte aber, da sie Jesum gekreuziget hatten 22. Chorus: Lasset uns den nicht zerteilen, sondern darum losen 23. Recitative: Auf daß erfüllet würde die Schrift 24. Chorale: Er nahm alles wohl in acht 25. Recitative: Und von Stund an nahm sie der Jünger zu sich 26. Aria: Es ist vollbracht! 27. Recitative: Und neiget das Haupt und verschied 28. Aria with Chorale: Mein teurer Heiland, laß dich fragen 29. Recitative: Und siehe da, der Vorhang im Tempel zeriß in zwei Stück 30. Arioso: Mein Herz, indem die ganze Welt bei Jesu Leiden gleichfalls leidet 31. Aria: Zerfließe, mein Herze, in Fluten der Zähren 32. Recitative: Die Jüden aber, dieweil es der Rüsttag war 33. Chorale: O hilf, Christe, Gottes Sohn 34. Recitative: Darnach bat Pilatum Joseph von Arimathia 35. Chorus: Ruht wohl, ihr heiligen Gebeine 36. Chorale: Ach Herr, laß dein lieb Engelein 37. Motet: Jacob Händl Gallus, Ecce quomodo moritur 38. Responsory 39. Collect 40. Blessing 41. Response to Blessing: Johann Hermann Schein, Gott sei uns gnädig und barmherzig 42. Organ Prelude Chorale: Johann Sebastian Bach, Nun danket alle Gott, BWV 657 43. Congregational Chorale: Johann Crüger, Nun danket alle Gott

• Wykonawca Dunedin Consort
• Data premiery 2018-02-16
• Nośnik CD

Johann Sebastian Bach’s six suites for solo cello are well-known and beloved works that are central to the repertoire of any cellist or violist. However, they are also works fraught with uncertainties, ranging from the circumstances of their composition to performance practices. It is not known when, why or for whom the suites were composed, or even for exactly which instrument they were intended. Further questions bedevil performance choices. What did Bach intend in the way of bowings and articulation? Did he have French or Italian bowing practices in mind?The first surviving copy of the suites, by Johann Peter Kellner, was made in 1726, so the suites must have been composed before then. It seems reasonable to assume that Bach wrote them around 1720 in Cöthen, at about the same time as the six sonatas and partitas for solo violin, but there is no hard evidence to support this. Anner Byslma speculates that the suites might have been composed earlier, and there is no compelling reason to assume that all of the suites were composed at the same time. Even the seemingly straightforward designation of suites as being for “violoncello” is problematic. The word “violoncello” could refer to instruments of different sizes and playing techniques in the early 18th century. The cello as we now know it emerged in Italy around the 1660s, with its size standardized by Stradivarius at the beginning of the 18th century. In Bach’s day, “violoncello” could refer to the older, larger instruments or to the smaller instruments on the Stradivarius model, as well as to the so-called violoncello da spalla (or viola da spalla), an instrument slung over the shoulder and played with something closer to violin technique than to cello technique. Furthermore, not all of the suites are intended for the same instrument. The Sixth Suite requires a five string instrument, which could either be a five-string cello held between the legs (perhaps a violoncello piccolo), or a five-string violoncello da spalla. Bach included prominent parts for a “violoncello piccolo” in a number of his cantatas written in Leipzig between 1724 and 1725. For some of these cantatas, the violoncello piccolo lines are either written in treble clef, or contained in the first violin part, suggesting that they were played by a violinist, on a cello slung from the shoulder. As Mark M. Smith argues, it seems quite possible that the Sixth Suite was written at the same time (possibly for the same player and instrument), and also intended be played on a shoulder-slung instrument.Any attempt to guess the circumstances under which the suites were composed is contingent upon the above uncertainties. If Bach did compose the suites around 1720, and if he did intended them (or at least the first five of them) for a cello held between the legs, then, as David Ledbetter suggests, he might very well have composed them for Christian Bernhard Linike, an excellent cellist who arrived in Cöthen shortly before Bach did. If they were intended for a shoulder cello, then perhaps Bach, who played violin and viola, played them himself.In addition to these problems, no doubt the most troubling circumstance for the performer is that we have no manuscript for the suites in Bach’s own hand. All published editions are based on some combination of 18th century copies. The sources differ significantly in terms of bowings and articulations, and occasionally even disagree about pitches. The copy with the most biographical authority is that made by Anna Magdalena Bach, sometime between 1727 and 1731, but she was not a string player, and a comparison between her copy of the solo violin sonatas and partitas and Bach’s own manuscript shows her to have been neither precise nor unambiguous in her labors.These are suites for some sort of cello, but, as Bylsma points out, it is entirely possible that Bach played them for himself on the viola. Bylsma even finds some chords and string-crossings that fit the hand of a violist better than that of a cellist. The cello suites have been part of the viola repertoire since the beginning of the 20th century. In 1916 G. Schirmer published a viola transcription edited by Louis Svecenski (principal violist of the Boston Symphony Orchestra, and violist of the Kneisel Quartet), following it with another edition by Samuel Lifschey (principal violist of the Philadelphia Orchestra for thirty years) in 1936. Although she did not publish an edition of the Bach Suites, Lillian Fuchs was instrumental in making the suites part of the standard concert and pedagogical repertoire for violists through her advocacy as a performer and as a teacher, much as Pablo Casals had done for cellists. A number of other transcriptions followed after the Second World War, including one by Milton Katims who had worked with Casals at the Prades Festival. Until fairly recently, viola editions were heavily edited, with bowings and dynamics added liberally to facilitate expressive performances in the Casals and Fuchs manner.Helen Callus plays from the critical edition prepared for Peters by Simon Rowland-Jones, but has made her own decisions about articulations, dynamics and ornamentation based on the original sources. She plays the Fifth Suite with the scordatura tuning requested by Bach, tuning her top string down from A to G (this suite can be played with a normally-tuned instrument, but at the expense of leaving some notes out of Bach’s chords and of different timbres for some notes). Callus plays the Sixth Suite in G major, rather than Bach’s D major. Although this involves changing Bach’s key, it also means that the viola version is closer in tessitura to Bach’s original than it would be in D major (a fourth higher rather than an octave), and it allows for more of Bach’s effects with open strings to be preserved.Recorded on September 19, 21 and 23, 2010 at: Salle Francoys-Bernier, Domaine Forget

• Wykonawca Callus Helen
• Data premiery 2011-03-01
• Nośnik CD

Continuing its work with the rising stars of the early music world, CORO is delighted to be releasing a brand new recording by one of The Sixteen Orchestra’s principal members - organist Robert Quinney.Recorded at The Queen’s College, Oxford, on the beautiful Frobenius Organ (one of the most notable instruments of its kind in the country), the Trio Sonatas are among Bach's most popular and appealing organ works. Complied in the composer’s later years, perhaps as studies for his eldest son Wilhelm Friedemann, the Trio Sonatas are a unique set of works in the organ repertory. Bach transferred to the organ the Italian trio sonata with its two treble voices and bass continuo; for the organ works, Bach uses right hand, left hand, and pedal.Robert Quinney is Sub-Organist of Westminster Abbey and played at the Royal Wedding of Prince William and Catherine Middleton in April. In addition to his daily work at the Abbey, he maintains a busy freelance schedule as a soloist and ensemble player, and is also Director of Oundle for Organists, whose residential courses offer inspiring tuition for young organists. His double compact disc The Grand Organ of Westminster Cathedral, recorded in 2004, was Instrumental Disc of the Month in BBC Music, earned a 5-star review in the French journal Diapason, and was an Editor’s Choice in Gramophone. To see a preview video of the CD online search ‘Robert Quinney’ on YouTube.

• Wykonawca Quinney Robert
• Data premiery 2011-08-01
• Nośnik CD

Tracklista:1. Jump Around2. Get Ur Tweed On3. Enter Mr Sandman4. Tainted Harvester5. Hot in Here6. Mundian to Bach Ke7. Eye of the Tiger8. Crazy in Love9. Da Funk10. Blue Monday11. Song 212. The Final Countdown13. I Feel Love

• Wykonawca The Banjo Lounge 4
• Data premiery 2017-10-20
• Nośnik CD

Vivaldi, Purcell, Bach, Williams Vivaldi, L?Estro Armonico no 11 op.3 Purcell, Chaconne for strings in G minor Z 730 Bach, Concerto for violin, oboe and string orchestra no 9 in D minor BWV 1060 Williams, Concerto Accademico for violin and strings in D minor

• Wykonawca Various Artists
• Data premiery 2008-05-13
• Nośnik DVD

BACH 6 VIOLIN SONATAS 2CD

• Wykonawca Malgoire Florence , Rannou Blandine
• Data premiery 2005-08-10
• Nośnik CD