Tracklista:LP1Side A1.The Incomparabla Mr. Flannery2.Burning Beard3.Gullah4.Mice & GodsSide B1.Pulaski Skyway2.Never Be Moved3.100011101014.Small UpsettersLP 2Side C1.Circus Maximus2.Tripping The Alarm3.10,000 Witnesses4.Land Of Pleasant LivingSide D1.Gravel Road2.Who's Been Talking?
‘Ayres for the Theatre is a wonderful collection of rich and varied, tuneful music and has been marvellously well recorded’ (Gramophone)
Tracklista:1. Baby, I've Been Missing You2. Girl On the Side3. Your Sweet4. She's Got Papers5. Do You Remember6. We Can Work It Out7. Ooh Baby Baby8. Big Mistake9. Who's That Girl10. Love Me Boy11. Baby I've Been Missing You (Groove Remix Feat. Tippa Irie)12. Walk On By13. Ready to Learn (Yes, I'm Ready)14. Two Timing Lover15. Love16. I Don't Want to Say Goodbye17. This World18. Take Time19. Show Me Some Love20. I'll Come Running
Tracklista:1. Love On Your Hands2. 7 Hours3. Fool for You4. Dealing With the Devil5. Time to Get It Over With6. Make Your Vision7. Paper Man8. Saviour9. I've Been Silent10. Tonight We Dance - Cleveland Hills
Each instrument is primus inter pares, every note is significant …’ is how the scholar Alfred Einstein described W.A. Mozart’s Divertimento in E flat major for string trio. What other work could then be more suitable for the first disc of a star-studded ensemble such as Trio Zimmermann, in which each member is very definitely first among equals? Composed in the same year as the three final symphonies, Mozart’s only real trio for violin, viola and cello is a weighty work – six movements and close to 50 glorious minutes of music – and the fact that Mozart chose the title Divertimento (from the Italian divertire: to amuse) for a piece of these dimensions has often been remarked upon. But to Mozart, there was no real dividing line between ‘serious’ art and pleasure or amusement – and so, to quote Einstein once more, he gave us ‘the most perfect, finest thing that has ever been heard in this world’. To round off the disc, Frank Peter Zimmermann, Antoine Tamestit and Christian Poltéra have chosen to record Franz Schubert’s first contribution to the string trio genre, the opening – and only complete – movement (Allegro) of his String Trio in B flat major, D 471, written in 1816 when the composer was only nineteen.
To mark the fiftieth anniversary of the death of Sir Arnold Bax, Chandos has commissioned a new set of his symphonies, conducted by Vernon Handley. The project is one which has been eagerly anticipated by collectors for many years.This special edition box set includes the premiere recording of Rogue’s Comedy Overture, and a bonus CD containing a recorded conversation between the conductor and BBC Radio 3’s Andrew McGregor about Bax’s symphonies.Vernon Handley is universally acknowledged as the leading interpreter of the works of Arnold Bax, consequently making this an unusually important release.This special edition box set is available at a special price. As an added bonus, anyone purchasing the disc will be eligible to enter a competition to win a weekend for two at the Station Hotel, Morar, Scotland (flights from London only), where Bax spent a month or two every winter, setting out in full score works he had sketched in London the previous summer."Sir Arnold Bax wrote his cycle of seven symphonies between 1921 and 1939. In his younger days he had not set out to be a symphonist, and if anyone had then predicted his future career, Bax would doubtless have been scornful of the notion that he could turn to such an old-fashioned genre in the bright new artistic world immediately following the end of World War I. Yet in 1921, when he wrote what he headed ‘Third Piano Sonata’, he quickly realised that he had composed a symphony. He orchestrated it, writing a new slow movement conceived in symphonic terms, and made a big splash with it in December 1922. For the rest of the 1920s audiences thought of it as the Bax symphony, but he was soon working on a second, quickly followed by a third during the winter of 1928–29. The remaining four symphonies followed during the 1930s.Vernon Handley was conducting the works of Sir Arnold Bax during the 1960s when the composer’s work was very much out of favour with the musical establishment. Over the years a Bax symphony conducted by Handley became something special, but apart from an isolated recording of the Fourth with the Guildford Philharmonic, he never recorded any of them. Yet one of Handley’s lifetime ambitions has been to record his view of what he came to regard as a cornerstone of British music in the twentieth century, an ambition achieved with this set.Reviews'It is a tremendous achievement, the crowning glory of Vernon Handleys dedication to British music in general and to this composer in particular.'Sir Arnold Bax Gramophone 'Take Five''Truth to tell, Im still reeling from the impact of this magnificent set; its insights are copious, Chandos layout is ideal (with none of the symphonies split between discs) and the price is tempting too.'Gramophone (Critic's Choice)'Handley, the BBC Philharmonic, executive producer Brian Pidgeon and the Chandos engineers give us sonic glories in spades. These discs transport us to windswept coastlines, the ocean floor, pagan dances and the nobility of love, defeat, death and triumph… This is a wonderful set of compelling haunting music; it deserves to spread joy not just over Christmas but for life.'The Times'The BBC Philharmonics playing is magnificent throughout, while Handley never loses his grip on the musics forceful logic. Works that in some hands, and to some ears, can seem rhapsodic, he reveals as integrally symphonic, for all their big-boned Romantic gestures.'The Telegraph'Every now and then, a series of recordings appears that changes the music world just a little, prompts a re-evaluation, draws us towards repertory we might otherwise have ignored… These probing interpretations venture beyond the surfaces to the musics inner workings. Handley is the ideal guide, the BBC Philharmonic the ideal instrument for the job and you also get Tintagel, a premiere recording of Rogues Comedy Overture and a revealing recorded interview with Andrew McGregor. Superb sound, too.'The Independent'Handleys readings are generally volatile and urgent, and he brings out some of the musics violence and incipient touches of modernism better that his rivals.'BBC Music Magazine (Performance: maximum rating 5*)'Handley and the BBC Philharmonic strain all their musical sinews to bring out every detail of these highly wrought and texturally complex works, and Handleys command of structure and pacing is majestic.'The Guardian'The set has been a labour of love for Vernon Handley - one of the high points of his career. Im hoping that this set, which is the product of 50 years study, will invite people to listen that little bit more often to these wonderful immense works.'Classic FM Magazine 'Disc of the Month''In every way Handley has now produced the definitive Bax series - surely beyond criticism.'Gramophone 'Take Five''The BBC Philharmonic under Vernon Handley recently performed Baxs Symphonies Nos 6 and 8 in Manchester, to great critical acclaim:…a rare occasion of exploration and discovery. Perhaps this anniversary will allow Baxs music to emerge from the shadow of Vaughan Williams. On this evidence, Handley and BBCPO are incomparably equipped to make that happen.'The Guardian'Vernon Handley is the ideal conductor for Bax: he understands the music like no other, and it breathes perfectly in his hands.'Fanfare on CHAN 9715 (Bax)'…this splended Fingerhut and Handley performance brings a reassessment and the works strengths, particularly its appealing slow movement, are revealed.'BBC Music Magazine on CHAN 9715 (Bax)''These are interpretations by a conductor who has lived with this music and who is fully at home in the composer's musical world. Beautifully played and recorded, this is the sort of thing that Chandos does incomparably.' 'Truth to tell, I'm still reeling from the impact of this magnificent set; its insights are copious, Chandos' layout is ideal (with none of the symphonies split between discs) and the price is tempting too.''Gramophone Critic's Choice''The BBC Philharmonic's playing is magnificent throughout, while Handley never loses his grip on the music's forceful logic. Works that in some hands, and to some ears, can seem rhapsodic, he reveals as integrally symphonic, for all their big-boned Romantic gestures.''The Telegraph'The set has been a labour of love for Vernon Handley - one of the high points of his career. 'I'm hoping that this set, which is the product of 50 years' study, will invite people to listen that little bit more often to these wonderful immense works'.''Classic FM Magazine 'Disc of the Month'
Tracklista: 1. Lentus, Altus, Brevis2. Quiemada Grande3. The Librarian4. Spring Break5. Locked Out6. Jamaica Hammer7. Get Off, Get Out8. I'll Be Your Mirror9. See You at the Bar10. I Been Around11. Back in the Days12. Story of My Knife
Tracklista: 1. Amarillo2. When You're Gone3. The Hungry Years4. One Way Ticket to the Blues5. Queen Of 646. I Go Ape7. Breaking Up Is Hard To Do (Slow)8. Breaking Up Is Hard To So (Fast)9. Solitaire10. Let You Walk Away11. Calender Girl12. (You Gotta) Make Your Own Sunshine13. Inseparable14. Rock and Roll Wedding Day15. Stairway to Heaven16. Betty Grable17. Alone at Last18. Going Nowhere19. Out Last Song Together20. Lonely Night (Angel Face)21. Little Devil22. The Immigrant23. The Other Side of Me1. You2. Laughter In The Rain (Original)3. Shake a Hand4. Standing On the Inside5. The Show Goes On6. Happy Birthday Sweet Sixteen7. Lovely Leba8. Love Will Keep Us Together9. Been There, Done That10. Oh Carol11. I Fell in Love With a Dream12. You Mean Everything to Me13. Laughter in the Rain14. Run Samson Run15. Next Door to an Angel16. Sad Eyes17. Should 'Ve Never Let You Go18. Bad Blood19. New York City Blues20. That's When the Music Takes Me
Tracklista:1. Medley. This Is The Army Mr Jones/The Feet's In Port Again/The Army, The Navy And The Air Force/Roll Out The Barrel2. I'm Gonna Get Lit Up3. Medley. Chattanooga Choo Choo/Jeepers Creepers/Gal In Kalamazoo/Three Little Fishes4. You'd Be So Nice to Come Home To5. Medley. If I Should Fall In Love Again/You Don't Have to Tell Me, I Know/One Day When We Were Young6. I Remember You7. Medley. Don't Sit Under The Apple Tree/Yes, My Darling Daughter/The Woodpecker Song/Put Your Arms Around Me Honey8. That Lovely Weekend9. Medley. It's Been A long, Long Time/You Must Have Been A Beautiful Baby/Blueberry Hill/Sentimental Journey10. Pennies from Heaven11. Medley. Hokey Cokey/Horsey, Horsey/Under The Spreading Chestnut Tree/Lambeth Walk12. White Christmas
The Brabant Ensemble under their director Stephen Rice presents music for the dark time of the year. Its latest disc of 16th-century polyphony features the extraordinary compositional gifts of Clemens non Papa, put to the service of the Requiem mass and a selection of motets on a pentitential theme. Within this general aspect of solemnity can be found countless shades of expression and emotion. Despite the popularity of the composer’s music during his lifetime, Clemens is a somewhat marginal figure today and many of these motets have never been recorded before. Yet, listening to this music today, one is immediately enthralled by its opulence and harmonic lushness, very different from the occasionally sterile polyphony of some of the composer’s contemporaries. The Brabant Ensemble’s fresh, uncluttered and sincere performances truly bring this glorious music to life.