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CD1 1. Suite for Solo Cello No. 1 in G Major, BWV 1007: 1. Prelude 2. Suite for Solo Cello No. 1 in G Major, BWV 1007: 2. Allemande 3. Suite for Solo Cello No. 1 in G Major, BWV 1007: 3. Courante 4. Suite for Solo Cello No. 1 in G Major, BWV 1007: 4. Sarabande 5. Suite for Solo Cello No. 1 in G Major, BWV 1007: 5. Menuett 1 - Menuett 2 6. Suite for Solo Cello No. 1 in G Major, BWV 1007: 6. Gigue 7. Vocalise in C-Sharp Minor, Op. 34/14 8. Sonata for Cello and Piano in A Minor "Arpeggione", D 821: 1. Allegro moderato 9. Sonata for Cello and Piano in A Minor "Arpeggione", D 821: 2. Adagio 10. Sonata for Cello and Piano in A Minor "Arpeggione", D 821: 3. Allegretto 11. Sonata for Cello and Piano in D Minor: 1. Prologue, Lent, sostenuto e molto risoluto 12. Sonata for Cello and Piano in D Minor: 2. Sérénade, Modérément animé 13. Sonata for Cello and Piano in D Minor: 3. Finale, Animé 14. Variations on a Rococo-Theme for Cello and Orchestra in A Major, Op. 33 CD2 1. Concerto for Cello and Orchestra in A Minor, Op. 129: I. Nicht zu schnell 2. Concerto for Cello and Orchestra in A Minor, Op. 129: II. Langsam 3. Concerto for Cello and Orchestra in A Minor, Op. 129: III. Sehr lebhaft 4. Kol Nidrei op. 47 5. Concertor for Cello and Orchestra No. 1 in A Minor, Op. 33: I. Allegro 6. Concertor for Cello and Orchestra No. 1 in A Minor, Op. 33: II. Allegro con moto 7. Concertor for Cello and Orchestra No. 1 in A Minor, Op. 33: III. Un peu moins vite - Più allegro comme le prémiere movement - Molto allegro 8. Concerto for Cello and Orchestra in A Minor, Hob. VIIb:2: I. Allegro moderato 9. Concerto for Cello and Orchestra in A Minor, Hob. VIIb:2: II. Adagio 10. Concerto for Cello and Orchestra in A Minor, Hob. VIIb:2: III. Rondo, Allegro


  • Wykonawca Various Artists
  • Data premiery 2007-11-05
  • Nośnik CD
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Z okazji 250 rocznicy urodzin Ludwiga van Beethovena Sony Classical przygotował specjalny, unikalny zestaw 25 płyt, zawierający wybitne kreacje beethowenowskie.  Lista wykonawców nie wymaga rekomendacji, zaś niewygórowana cena powoduje, ze to obowiązkowa pozycja w płytotece każdego melomana. Tracklista: CD 1 1. Beethoven: Symphony No. 1 in C Major, Op. 21 (Remastered) - Columbia Symphony Orchestra - Walter [1959] 2. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Remastered) - New York Philharmonic - Bernstein [1964] CD 2 1. Beethoven: Symphony No. 2 in D Major, Op. 36 (Remastered) - Cleveland Orchestra - Szell [1964] 2. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Remastered) - Cleveland Orchestra - Szell [1963] CD 3 1. Beethoven: Symphony No. 5 in C minor, Op. 67 - Chicago Symphony Orchestra - Reiner [1959] 2. Beethoven: Symphony No. 7 in A Major, Op. 92 (Remastered) - Chicago Symphony Orchestra - Reiner [1955] CD 4 1. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Remastered) - Cleveland Orchestra - Szell [1962] 2. Beethoven: Symphony No. 8 in F Major, Op. 93 (Remastered) - New York Philharmonic - Bernstein [1963] CD 5 1. Beethoven: Symphony No. 9 in D minor, Op.125 "Choral" - Boston Symphony Orchestra - Munch [1958] CD 6 1. Beethoven: Violin Concerto in D Major, Op. 61 (Remastered) - Jascha Heifetz, violin; Boston Symphony Orchestra - Munch [1955] 2. Beethoven: Romance No. 1 in G Major, Op. 40 - Isaac Stern, violin; Boston Symphony Orchestra - Ozawa [1980] 3. Beethoven: Romance No. 2 in F Major, Op. 50 - Isaac Stern, violin; Boston Symphony Orchestra - Ozawa [1980] CD 7 1. Beethoven: Piano Concerto No. 1 in C Major, Op. 15 (Remastered) - Glenn Gould, piano; Columbia Symphony Orchestra - Golschmann [1958] 2. Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19 (Remastered) - Glenn Gould, piano; Columbia Symphony Orchestra - Bernstein [1957] CD 8 1. Beethoven: Piano Concerto No. 3 in C minor, Op. 37 (Remastered) - Leon Fleisher, piano; Cleveland Orchestra - Szell [1961] 2. Beethoven: Piano Concerto No. 4 in G Major, Op. 58 (Remastered) - Leon Fleisher, piano; Cleveland Orchestra - Szell [1959] CD 9 1. Beethoven: Piano Concerto No. 5, Op. 73 in E-flat Major (Remastered) - Arhur Rubinstein, piano; Boston Symphony Orchestra - Leinsdorf [1963] 2. Beethoven: Choral Fantasia in C minor, Op. 80 - Emanuel Ax, piano; New York Philharmonic - Mehta [1983] CD 10 1. Beethoven: Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56 "Triple Concerto" - Isaac Stern, violin; Leonard Rose, cello; Eugene Istomin, piano; Philadelphia Orchestra - Ormandy [1964] 2. Beethoven: Trio for Piano, Violin and Cello in B-flat Major, Op. 97 "Archduke" - Isaac Stern, violin; Leonard Rose, cello; Eugene Istomin, piano [1965] CD 11 1. Beethoven: Leonore Overture No. 2, Op. 72a - Boston Symphony Orchestra - Munch [1956] 2. Beethoven: Leonore Overture No. 3, Op. 72a - Boston Symphony Orchestra - Munch [1956] 3. Beethoven: Leonore Overture No. 1, Op. 138 - Boston Symphony Orchestra - Munch [1956] 4. Beethoven: Fidelio, Op. 72: Overture - Boston Symphony Orchestra - Munch [1955] 5. Beethoven: Coriolan, Op.62: Overture - Boston Symphony Orchestra - Munch [1956] CD 12 1. Beethoven: Trio for Piano, Violin and Cello in D Major, Op. 70, No. 1 "Ghost" - Isaac Stern, violin; Leonard Rose, cello; Eugene Istomin, piano [1969] 2. Beethoven: Trio for Piano, Violin and Cello in E-flat Major, Op. 70, No. 2 - Isaac Stern, violin; Leonard Rose, cello; Eugene Istomin, piano [1970] CD 13 1. Beethoven: Violin Sonata No. 5, Op. 24 "Spring" (Remastered) - Zino Francescatti, violin; Robert Casadesus, piano [1961] 2. Beethoven: Violin Sonata No. 9, Op. 47 "Kreutzer" (Remastered) - Zino Francescatti, violin; Robert Casadesus, piano [1958] 3. Beethoven: Violin Sonata No. 1, Op. 12 No. 1 (Remastered) - Zino Francescatti, violin; Robert Casadesus, piano [1958] CD 14 1. Beethoven: Sonata No. 3 in A Major for Cello and Piano, Op. 69 (Remastered) - Yo-Yo Ma, cello; Emanuel Ax, piano [1983] 2. Beethoven: Sonata No. 5 in D Major for Cello and Piano, Op. 102, No. 2 (Remastered) - Yo-Yo Ma, cello; Emanuel Ax, piano [1983] CD 15 1. Beethoven: Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 "Moonlight" - Rudolf Serkin, piano [1962] 2. Beethoven: Piano Sonata No. 8 in C minor, Op. 13 "Pathétique" - Rudolf Serkin, piano [1962] 3. Beethoven: Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - Rudolf Serkin, piano [1962] CD 16 1. Beethoven: Piano Sonata No.3 in C Major, Op.2 No.3 - Murray Perahia, piano [1990] 2. Beethoven: Piano Sonata No. 21 in C Major, Op. 53 "Waldstein" - Vladimir Horowitz, piano [1972] 3. Beethoven: Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux" - Murray Perahia, piano [1984] 4. Beethoven: Bagatelle in A Minor, WoO 59 "Für Elise" - Murray Perahia, piano [1994] CD 17 1. Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier" (Remastered) - Charles Rosen, piano [1964] 2. Beethoven: Piano Sonata in A-Flat Major, Op. 26 "Funeral March" (Remastered) - Sviatoslav Richter, piano [1960] CD 18 1. Beethoven: Piano Sonata No. 30 in E Major, Op. 109 - Rudolf Serkin, piano [1976] 2. Beethoven: Piano Sonata No. 31 in A-flat Major, Op. 110 - Rudolf Serkin, piano [1960] 3. Beethoven: Piano Sonata No. 32 in C minor, Op. 111 - Rudolf Serkin, piano [1967] CD 19 1. Beethoven: 33 Variations on a Waltz by Anton Diabelli, Op. 120 - Igor Levit, piano [2015] CD 20 1. Beethoven: String Quartet, Op. 18 No. 1 in F Major - Tokyo String Quartet  [1991] 2. Beethoven: String Quartet, Op. 18 No. 4 in C minor - Tokyo String Quartet  [1991] 3. Beethoven: String Quartet, Op. 18 No. 6 in B-Flat Major - Tokyo String Quartet  [1992] CD 21 1. Beethoven: String Quartet No. 7, Op. 59 No. 1 "Rasumovsky" (Remastered) - Juilliard String Quartet [1964] 2. Beethoven: String Quartet No. 9, Op. 59 No. 3 "Rasumovsky" (Remastered) - Juilliard String Quartet [1964] CD 22 1. Beethoven: String Quartet No. 12 in E-Flat Major, Op. 127 (Remastered) - Budapest String Quartet [1952] 2. Beethoven: String Quartet No. 14 in C-Sharp Minor, Op. 131 (Remastered) - Budapest String Quartet [1951] CD 23 1. Beethoven: String Trio in D Major, Op. 9, No. 2 (Remastered) - Jascha Heifetz, violin; William Primrose, viola; Gregor Piatigorsky, cello [1960] 2. Beethoven: Trio for Piano, Violin and Cello in E-flat Major, Op. 1, No. 1 (Remastered) - Jascha Heifetz, violin; William Primrose, viola; Jakob Lateiner, piano [1964] 3. Beethoven: Serenade for Violin, Viola and Cello in D Major Op. 8 (Remastered) - Jascha Heifetz, violin; William Primrose, viola; Gregor Piatigorsky, cello [1960] CD 24 1. Beethoven: Ah! Perfido, Op. 65 - New York Philharmonic - Schippers [1965] 2. Beethoven: Christus am Ölberge, Op. 85 (Christ on the Mount of Olives) - The Philadelphia Orchestra - Ormandy [1963] 3. Beethoven: Adelaide, Op. 46 - Jussi Björling, tenor; Frederick Schauwecker, piano [1955] CD 25 1. Beethoven: Missa Solemnis in D Major, Op. 123 - New York Philharmonic - Bernstein [1960]  


  • Wykonawca Various Artists
  • Data premiery 2019-11-08
  • Nośnik CD

Piano Trio No. 1 Although Anton Arensky studied for a time under Rimsky-Korsakov at the St Petersburg Conservatory, his musical affiliation seems closer to Tchaikovsky, and it was to the Moscow Conservatory – where Tchaikovsky’s eclectic approach to music to some extent balanced the nationalistic school of ‘The Mighty Handful’, including RimskyKorsakov – that Arensky went as a teacher of theory and composition after having gained the Gold Medal in St Petersburg. His own most important student was Rachmaninov.Arensky wrote three operas, two symphonies, a piano concerto, incidental music to a production of Shakespeare’s The Tempest and a number of choral and chamber works, including two trios for piano, violin and cello. The first of these, in D minor, was published in 1894, the year in which Balakirev, founder of the ‘Mighty Handful’, suggested Arensky as his successor as Director of Music at the St Petersburg Imperial Chapel. The trio was inspired by Karl Davïdov who had died five years earlier. Davïdov, a cello virtuoso, founded the Russian school of cello playing, and the trio bears posthumous testimony to his work at the St Petersburg Conservatory which he joined in 1863 and where he served as Director from 1876 until 1886.The first movement is built around three themes, the first dramatic, the second lyrical and the third impetuous. It is followed by a playful Scherzo which provides a natural continuance to the thoughtful coda of the previous movement and contains an example of what became known as the ‘Arensky Waltz’. The movement is a scherzo more in character than in form, and the waltz appears as the central trio, offering full-blooded contrast to the lighter mood of the main sections, themselves tinged with Mendelssohnian delicacy, spiced with pizzicato passages.The Elegia also has a central section, its texture a light contrast to the preceding conversation between the violin and muted cello. The piano, which provides a dark-hued dotted backing to the dialogue of the strings, relaxes in the central section where it takes pride of place. The Finale is a dramatic rondo with two ideas, the first strong and vigorous, the second gentler and given to the two string instruments. In an Andante episode the central part of the Elegia is recalled, and the first theme of the first movement returns at the end to bring a sense of unity to the work. © Denby RichardsPiano Trio No. 2 While the Piano Trio No. 1 in D minor is perhaps Arensky’s best-known chamber work, the Piano Trio No. 2 in F minor remains virtually unknown. Composed in 1905, a year before the composer’s death, the second trio is less abrupt and more expansive than the first, almost symphonic in its dimensions.The first movement is in straightforward sonata form with two contrasting themes. The piano opens alone, the unison strings later joining in with a countermelody. The roles are then reversed, the strings playing the theme while the piano soon after takes up the countermelody. The second theme, which follows, is much more lyrical than the first, with the piano accompanying the strings. The short coda is loud and fast, strikingly different from the rest of the movement.After a brief introduction, the secondmovement Romance begins with a piano solo in the style of a nocturne by Chopin. The melody is taken over by the strings, and the piano and strings work together throughout the movement to weave a beautiful melodic tapestry.In the virtuosic third-movement Scherzo the strings play with spiccato (bouncing bow) and pizzicato effects. There are rippling arpeggios in the piano, and at times it almost sounds as if these are played pizzicato, too. The elegant contrasting trio opens with a slower, lyrical solo for the cello, the violin and cello later playing in unison; the piano has an accompanying role throughout.The finale is a Tema con variazioni. The block-chordal theme, with interesting harmonic twists, is introduced by the piano alone. The first variation is a flowing, songlike melody in the strings, accompanied by arpeggios in the piano. In the second variation the piano takes centre stage with a lively display, accompanied by pizzicato strings. The third variation is waltz-like, with a fluttering accompaniment. Virtuoso runs are featured in the lively, agitated fourth variation. The fifth is an ornamented waltz played rubato, first by solo piano, then by cello with piano accompaniment, and at last by violin and piano. The sixth and final variation, played bravura, is characterised by wide-ranging melodies. The return of the first movement’s opening theme leads to a quiet ending. © Borodin TrioThe Borodin Trio was formed after its members emigrated from the Soviet Union in 1976, since when they have played in all the major cities of Europe and America, as well as making a tour of Australia. Rostislav Dubinsky founded the legendary Borodin Quartet and served as its first violinist for thirty years. His wife, Luba Edlina, is best known for her brilliant performances and recordings as a pianist with the Borodin Quartet. The cellist Yuli Turovsky gave many acclaimed performances as soloist with the Moscow Chamber Orchestra before emigrating to Montreal. He is the founding Music Director and conductor of I Musici de Montréal.


  • Wykonawca Borodin Trio
  • Data premiery 2006-03-07
  • Nośnik CD

Tracklista: 1. Violin Concerto No. 1 in A minor, BWV 1041: Allegro assai 3:512. Cantata No. 208, "Was mir behagt," ("Hunting Cantata"), BWV 208: No. 9, Schafe können sicher weiden 5:183. Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro 3:294. Chorale prelude for organ ("In dulci jubilo"), BWV 729 - arranged for orchestra 3:315. Suite for orchestra No 3 in D major, BWV 1068: Air 5:226. Nun komm der Heiden Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 8), BWV 659 (BC K82) 4:437. Suite for orchestra No 2 in B minor, BWV 1067: Badinerie 1:258. Work(s): Unspecified Mein Jesu 5:119. Brandenburg Concerto No. 1 in F major, BWV 1046: Adagio 5:1810. Violin Concerto No. 2 in E major, BWV 1042: Adagio 7:2811. Suite for orchestra No 4 in D major, BWV 1069: Rejouissance 2:3012. Meditation on Prelude No. 1 of Bach, for violin or cello & piano with organ or cello ad lib. (or other instrumental arrangement) 2:5813. Brandenburg Concerto No. 2 in F major, BWV 1047: Allegro assai 3:2314. Concerto for 2 violins & strings in D minor ("Double"), BWV 1043: Largo ma non tanto 6:5015. Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): No.1 5:46


  • Wykonawca Nishizaki Takako
  • Data premiery 1997-01-01
  • Nośnik CD
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