Zremasterowane (24 BIT Digitally Remastered) wydawnictwo zawiera 2 kompletne albumy: "The Cats" oraz "Mating Call". Chociaż te nagrania zostały pierwotnie wydane pod kierownictwem Tadda Damerona (1917–1965) i Tommy'ego Flanagana (1930–2001) - obu ważnych postaci jazzowych - główną postacią obu sesji jest bez wątpienia mityczny saksofonista tenorowy John Coltrane (1926–1967). Chociaż związek może nie być oczywisty, te dwa zawarte tu albumy mają coś wspólnego oprócz obecności Coltrane'a i bliskiej daty nagrania; obie  małe grupy (kwartet i sekstet) organizowane są przez utalentowanch pianistów którzy prezentują własne kompozycje. Jeśli Tadd Dameron wydaje się mniej błyskotliwym pianistą niż Flanagan, rekompensuje to jego geniusz jako kompozytora i aranżera. Z drugiej strony kompozycje Tommy'ego Flanagana są nieco mniej wyrafinowane niż kompozycje Damerona, ale bez wątpienia jest on znacznie lepszym interpretatorem. Magia Trane świeci na obu albumach, co można określić jako „środkowy etap” rozwoju muzycznego. Skład zespołów : John Coltrane, tenor sax on all tracks, with (1-6) Mating Call (Prestige ST7070) Tadd Dameron, piano John Simmons, bass Phillu Joe Jones, drums Hackensack, New Jersey, November 30, 1956. All tunes composed by Tadd Cameron (7-11) The Cats (New Jazz LP8217) Idrees Sullivan, trumpet Tommy Flanagan, piano Kenny Burrell, guitar Doug Watkins, bass Louis Hayes, drums Rhythm section only on track 11 Hackensack, New Jersey, April 18, 1957. All tunes composed by Tommy Flanagan excepr track 11, by George & Ira Gershwin Tracklista : 1. Mating Call 5:38 2. Gnid 5:10 3. Soultrane 5:25 4. On A Misty Night 6:24 5. Romas 6:55 6. Super Jet 5:52 7. Minor Mishap 7:28 8. Eclypso 7:59 9. Solacium 9:11 10. Tommy’s Time 11:59 11. How Long Has This Been Going On? 5:59

• Wykonawca Coltrane John , Dameron Tadd , Flanagan Tommy , Burrell Kenny , Jones Philly Joe
• Data premiery 2020-05-22
• Nośnik CD

It was during an extended visit to Mannheim in 1777 that Mozart became friendly with the oboist Friedrich Ramm, a member of the famous Mannheim orchestra which was widely acknowledged as the finest in Europe (‘an army of generals’ as Charles Burney remarked). Earlier the same year Mozart had composed his Oboe Concerto, and impressed by Ramm’s ability, he now played the work through to him on the piano. Although Mozart had written it for another player, Ramm was to make it his own: by 14 February 1778 he had performed it no less than five times – ‘a great sensation…Ramm’s cheval de bataille’ as Mozart described it. Mozart later found occasion to compose especially for Ramm – the Oboe Quartet was written as a celebration of his virtuosity, and significantly challenged the boundaries of the possible on the contemporary oboe. As principal oboist of the Royal Concertgebouw Orchestra, and an international soloist in his own right, Alexei Ogrintchouk may well be said to be the Friedrich Ramm of our day – also on BIS, his performances of J.S. Bach’s oboe concertos was judged to be ‘as astonishing as it is successful’ on the web site klassik-heute.de, with a sound described as ‘generous, rounded, warm and velvety’ in Classica. He here performs these pillars of the oboe repertoire with the support of the renowned Lithuanian Chamber Orchestra in the concerto and in the company of three highly respected young string players in the quartet. To round off the programme Alexei has called in his father, the pianist Leonid Ogrintchouk, and together the two perform a transcription of the Violin Sonata in B flat major, K 378, composed during the same period as the two other works on this disc.

• Wykonawca Ogrintchouk Alexei , Rysanov Maxim , Blaumane Kristina , Lithuanian Chamber Orchestra
• Data premiery 2013-03-01
• Nośnik SACD

MUSIC COMPOSED BY MARCELO ZARVOS

• Wykonawca Various Artists
• Data premiery 2011-06-30
• Nośnik CD

Wokale basowe: Gerd Kenda Counterenor Wokalnie: Markus Forster Dyrekcja: Gunar Letzbor Ensemble: Ars Antiqua Austria Wokale Sopranowe: Radu Marian Tenor Wokal: Thomas Künne Tracklista: Missa à 23 Composed By – Benjamin Ludwig Ramhaufski 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Benedictus 6. Osanna 7. Agnus Dei Missa Ad Multos Annos Composed By – Joseph Balthasar Hochreither 8. Kyrie 9. Gloria 10. Credo 11. Sanctus 12. Benedictus 13. Osanna 14. Agnus Dei  

• Wykonawca Ars Antiqua Austria
• Data premiery 2007-04-17
• Nośnik CD

Winner of one Juno and three Prix Opus from Conseil québécois de la musique, notably “performer of the year” in 2010, Ensemble Caprice is renowned for its innovative interpretations of baroque music. The New York Times even called it “a group that encourages listeners to rehear the world.” This new recording of the Ensemble combines Johann Sebastian Bach’s famous Brandenburg Concertos, composed between 1712 and 1721D , with a few preludes and one fugue by mitri Shostakovich, as arranged by music director Matthias Maute. He explains the daring juxtaposition between the two composers: “When the Russian composer adjudicated at the International Johann Sebastian Bach Competition in Leipzig in 1950, he was deeply impressed by Bach’s two collections of the Welltempered Clavier. Upon returning to Moscow, Shostakovich followed Bach’s example and composed his own cycle of preludes and fugues in all 24 keys. Even though he holds firmly to his own musical language with its tonal liberties, his use of baroque elements provides a constant source of surprise. We have selected and orchestrated one prelude by Shostakovich for each of the Brandenburg Concertos. The First Brandenburg Concerto, however, is preceded instead by a fugue, the wonderful fugue op. 87 No. 7. As a touch of post‐modern thought we have reserved the prelude composed for this fugue to serve as a postlude at the end of the cycle of Brandenburg Concertos. This short but utterly beautiful and contemplative piece eems to be Shostakovich’s final personal comment on Bach’s overwhelming music, as seen from a contemporary point of view.” Under the artistic direction of Matthias Maute and Sophie Larivière, Ensemble Caprice is renowned for its innovative interpretations of baroque music since 20 years. It has received national and international acclaim for its performances of early music. Ensemble Caprice’s most recent albums on the Analekta label have all been highly acclaimed: Gloria! Vivaldi’s Angels won Canada’s prestigious 2009 JUNO award, Telemann and the Gypsies was recommended by Gramophone, Vivaldi and the Baroque GG ypsies had two nominations in 2009 for Echo Klassik awards in ermany. The Ensemble is also the winner of the Audience Appreciation Prize (2008‐2009) and Finalist (2009) of the Grand Prix de Montréal. Matthias Maute has achieved an international reputation as one of the finest recorder and baroque flute player of his generation, as a composer and as a director. Mr. Maute is also esteemed for his artistic direction of Ensemble Caprice, for whom he produces ingenious and fascinating programs.

• Wykonawca Ensemble Caprice
• Data premiery 2012-11-01
• Nośnik CD

On the penultimate disc in his series of the complete keyboard concertos by C.P.E. Bach, Miklós Spányi completes the set of six concertos (Sei Concerti, Wq 43/1-6) begun on Volume 17. Bach finished working on the set in 1771, but had already advertised its coming publication. In a bid to reach as many potential subscribers as possible, he marketed the works as ‘easy’, and also included optional parts for wind instruments: two horns in all the fast movements, replaced by flutes in the slow movements. Bach’s aim was to make the works appealing to both players and listeners, and the result is a set of highly attractive pieces, with approachable melodies and dance rhythms but also displaying a new freedom with regard to conventional concerto form. With the expert support of the Hungarian period band Concerto Armonico, Miklós Spányi performs the solo parts of Wq 43/5 and 43/6 on a harpsichord, a copy of an instrument from 1745. Inspired by the English harpsichords that were imported in great number to Northern Germany during Bach’s time, this instrument has been fitted with a so-called ‘swell device’, enabling the performer to achieve dynamic shadings and crescendo-diminuendo effects consistent with the instructions in Bach’s scores. Some seven years after the Sei Concerti, Bach composed the concertos in G major (Wq 44) and D major (Wq 45) – two works which, although composed in the same year, are strikingly different in character, evidence of Bach’s continuing desire to give each new work a distinctive identity. This has led Miklós Spányi to choose to perform the Wq 44 concerto on a fortepiano from 1798, by the English maker Broadwood, returning to the harpsichord for the final work on the disc

• Wykonawca Spanyi Miklos , Concerto Armonico , Abraham Marta
• Data premiery 2013-03-01
• Nośnik CD

Artystyczną misją Anny Miernik jest szerzenie polskiej muzyki za granicą, co robi od 2013 roku. Jak do tej pory na swoim koncie ma wykonanie 37 prac polskich kompozytorów. Na „My Polish Reflection” usłyszymy kompozycje 10 polskich artystów z XIX, XX i XXI wieku. „My Polish Reflection” w wykonaniu Anny Miernik na pianinie. Utwór bonusowy skomponowany specjalnie na płytę My Polish Reflection/ Bonus track composed especially for the CD My Polish Reflection 10. Michał Papara (*1984) — Strange Flowers… or Maybe Bizarre Thoughts?   

• Wykonawca Miernik Anna
• Data premiery 2019-01-23
• Nośnik CD

Tracklista: 1. Atmosphères - Composed By György Ligeti. Performed By The Südwestfunk Symphony Orchestra Conducted By Ernest Bour 2. Prelude (Sonnenaufgang) - Also sprach Zarathustra, Op. 30 - Composed by Richard Strauss. Performed by Berliner Philharmoniker conducted by Karl Böhm 3. Requiem for Soprano, Mezzo-Soprano, Two Mixed Choirs and Orchestra - Composed by György Ligeti. Performed by Symphonieorchester des Bayerischen Rundfunks conducted by Francis Travis 4. An der schönen blauen Donau, Op. 314 (The Blue Danube) - Composed by Johann Strauss II. Performed by Berliner Philharmoniker conducted by Herbert von Karajan 5. Lux aeterna - Composed by György Ligeti. Performed by Chor des Norddeutschen Rundfunks Conducted by Helmut Franz 6. Adagio from Gayaneh - Composed by Aram Il’yich Khachaturian. Performed by Leningrad Philharmonic Orchestra conducted by Gennadi Rozhdestvensky 7. Aventures - Composed by György Ligeti. Performed by Pierre Boulez Conducting Ensemble Intercontemporain with Jane Manning, Mary Thomas, William Pearson  

• Wykonawca Various Artists
• Data premiery 2018-10-05
• Nośnik CD

Our series of works by Richard Wagner, performed by the Royal Scottish National Orchestra and Neeme Järvi, continues with a disc of early symphonies, later marches, and the Overture to ‘Rienzi’. Early on in his career, Wagner composed two symphonies, both of which are included on this disc. The Symphony in C, which he wrote when he was just nineteen years old, is heavily influenced by Beethoven in its character, mood, and instrumentation. Written two years later, in 1834, the Symphony in E was left unfinished, Wagner completing only the first movement and thirty bars of the second. The completed version recorded here was prepared by the conductor Felix Mottl more than fifty years later at the request of Wagner’s widow, Cosima. The two marches on this disc are the composer’s most obvious contributions to the genre of pomp and circumstance. The Huldigungsmarsch was written in 1864 for King Ludwig II of Bavaria. The march-like rhythms and brassy colours complement sections in which the strings provide a continuously flowing movement, all leading to a jubilant conclusion. The Kaisermarsch (1871) was a commission from the publishing firm Peters, who requested from Wagner a heroic morale booster at a time when the German countries were at war with France. Having initially composed it for military band, Wagner soon rewrote it for symphony orchestra, the version recorded on this disc. The Overture to Rienzi, Wagner’s third completed opera (1838 – 40), incorporates the melody of Rienzi’s prayer at the start of Act V, which became the opera’s best-known aria, and ends with a dazzling military march  

• Wykonawca Various Artists
• Data premiery 2012-04-01
• Nośnik SACD

For the the new album touched the Calmus Ensemble chose songs about “love” from different centuries. There is Sting next to Henry Purcell and Michael Jackson beside Adriano Bachieri. The pieces are connected by interludes especially composed for this recording. The CD offers the opportunity to see the texts of the songs, which are also from different epochs, in a new light and new perspective. The longer you listen to this CD, the more you lose time and epochs. Everything becomes timeless.

• Wykonawca Calmus Ensemble
• Data premiery 2012-10-01
• Nośnik CD