Disc 1: Acts 1& 2Disc 2: Acts 3& 4Disc 3: Act 5

• Wykonawca Graham Susan
• Data premiery 2004-01-01
• Nośnik DVD

Tracklista:Disc 11. Act I Part 1: Prelude 00:14:16 2. Act I Part 1: He! Ho! 00:05:55 3. Act I Part 1: Seht dort, die wilde Reiterin! 00:03:19 4. Act I Part 1: Recht so! Habt Dank! 00:07:01 5. Act I Part 1: He! Du da! 00:07:46 6. Act I Part 1: Das ist ein and'res 00:05:07 7. Act I Part 1: Titurel, der fromme Held 00:11:51 Disc 21. Act I Part 2: Weh! Weh! 00:07:38 2. Act I Part 2: Nun sag! Nichts weisst du, was ich dich frage 00:07:26 3. Act I Part 2: Vom Bade kehrt der König heim (Transformation Music) 00:07:47 4. Act I Part 2: Zum letzten Liebesmahle 00:06:28 5. Act I Part 2: Mein Sohn Amfortas 00:11:29 6. Act I Part 2: "Durch Mitleid wissend, der reine Tor" 00:08:54 7. Act I Part 2: Wein und Brot des letzten Mahles 00:05:23 8. Act I Part 2: Liebesmahle Music 00:04:33 9. Act I Part 2: Was stehst du noch da 00:02:32 Disc 31. Act II: Die Zeit ist da 00:06:39 2. Act II: Ach! Ach! Tiefe Nacht 00:03:46 3. Act II: Furchtbare Not! 00:08:14 4. Act II: Hier! - Hier war das Tosen 00:04:22 5. Act II: Komm'! Komm'! Holder Knabe! 00:05:36 6. Act II: Parsifal! Weile! 00:06:49 7. Act II: Ich sah das Kind 00:05:41 8. Act II: Wehe! Wehe! 00:05:15 9. Act II: Amfortas! Die Wunde! 00:09:21 10. Act II: Grausamer! Fühlst du im Herzen 00:10:07 11. Act II: Erlosung, Frevlerin, biet' ich auch dir 00:06:45 12. Act III Part 1: Prelude 00:05:45 Disc 41. Act III Part 2: Von dort her kam das Stohnen 00:04:29 2. Act III Part 2: Du tolles Weib! Hast du kein Wort fur mich 00:04:34 3. Act III Part 2: Heil dir, mein Gast! 00:06:56 4. Act III Part 2: Heil mir, dass ich dich wieder finde! 00:04:23 5. Act III Part 2: O Gnade! Hochstes Heil 00:08:02 6. Act III Part 2: Nicht so! 00:06:34 7. Act III Part 2: So ward es uns verheissen (Good Friday Spell) 00:14:00 8. Act III Part 2: Mittag: die Stund' ist da (Transformation Music) 00:05:20 9. Act III Part 2: Geleiten wir im bergenden Schrein 00:04:20 10. Act III Part 2: Ja, Wehe! Wehe! 00:08:08 11. Act III Part 2: Nur eine Waffe taugt 00:09:18

• Wykonawca Knappertsbusch Hans
• Data premiery 2003-02-03
• Nośnik CD

Although Franz Schubert’s Lieder, his symphonies and his chamber music are staples in concert halls and on disc, his music for the stage is much less well known. He began composing operas in 1811, at the tender age of 13, and it is probable that the tuition he received from Antonio Salieri around that time fuelled his interest for the stage even further. Although he had one of his first public successes with the Singspiel Die Zwillingsbrüder, Schubert later encountered difficulties in getting his operas staged: most of them would remain unperformed for a long time after his death in 1828, and are still rarities in the repertoire. With a few exceptions, the overtures to these works have suffered a similar neglect, even though they display an astonishing abundance of musical ideas, and possess a stirring dramatic character beyond anything found in for instance the symphonic works. The striking originality of the music becomes even more obvious when performed on period instruments, as on the present recording with Manfred Huss and the fifty musicians in the Haydn Sinfonietta Wien, whose previous discs on BIS of works by Haydn has been warmly received by critics worldwide. Their recordings of Schubert's overtures were made in 1997 for release on the Koch/Schwann label, a disc which after its deletion from the catalogue has become a collectors’ item, with rare new copies being offered for as much as USD 200. For the present re-release the original recording has been remastered by BIS Records

• Wykonawca Various Artists
• Data premiery 2012-05-01
• Nośnik CD

Z okazji 100 rodzin artystki Sony Classical ma zaszczyt zaprezentować 31 płytowy zestaw nagrań zatytułowany "Birgit Nilsson - The Great Live Recordings".  Birgit Nilsson ( 1918 – 2005) - szwedzka śpiewaczka operowa, sopran dramatyczny, uważana była za czołową wykonawczynię oper Wagnera w okresie powojennym. Studiowała w Królewskiej Szkole Operowej w Sztokholmie, w 1944 debiutowała w Operze Królewskiej w Sztokholmie. W 1946 zwróciła na siebie uwagę jako Agata w Wolnym strzelcu Carla Marii Webera i Lady Makbet w Makbecie Giuseppe Verdiego, w przedstawieniach pod dyrekcją Fritza Buscha. W kolejnych latach ugruntowała status gwiazdy opery skandynawskiej, dzięki m.in. partiom sopranowym w dziełach Wagnera – Wenus w Tannhäuserze, Senty w Holendrze tułaczu, Izoldy w Tristanie i Izoldzie,  Brunhildy i Zyglindy w Walkirii.  Zestaw zawiera: Disc 1: Bartok: Herzog Blaubarts Burg Recorded live at the Concert Hall, Stockholm, February 10, 1953 Nilsson, Sönnerstedt Conductor: Ferenc Fricsay Disc 2-4: Wagner: Lohengrin Recorded live at the Bayreuth Festival, August 14, 1954 Windgassen, Nilsson, Varnay, Uhde, Adam, Fischer-Dieskau Conductor: Eugen Jochum Disc 5-7: Wagner: Tristan Und Isolde Recorded live at the Bayreuth Festival, August 19, 1957 Windgassen, Nilsson, Hoffman, Hotter, van Mill Conductor: Wolfgang Sawallisch Disc 8: Wagner: Die Walküre Act 1, Scene 3: „Schläfst du, Gast“ Recorded live at the Bayreuth Festival, July, 1957 Nilsson, Vinay Conductor: Hans Knappertsbusch Wagner: Siegfried Act 3, Scene 3: „Heil dir Sonne“ Nilsson, Windgassen Recorded live at the Bayreuth Festival, August, 1967 Conductor: Otmar Suitner Disc 9-10: Puccini: Turandot Recorded live at the Metropolitan Opera House, March 4, 1961 Matinée Broadcast Nilsson, Moffo Conductor: Leopold Stokowski Disc 11-12: Strauss: Salome Recorded live at the Metropolitan Opera House, March 13, 1965 Matinée Broadcast Nilsson, Liebl, Dalis, Cassel Conductor: Karl Böhm Disc 13-14: Strauss: Elektra Recorded live at the Opéra de Montréal, September 19, 1967 Nilsson, Rysanek, Resnik, Nienstedt, Uhl Conductor: Karl Böhm Disc 15-17: Wagner: Tristan Und Isolde Recorded live at the Wiener Staatsoper, December 17, 1967 Thomas, Nilsson, Hesse, Wiener, Talvela Conductor: Karl Böhm Disc 18-20: Wagner: Die Walküre Recorded live at the Metropolitan Opera House, March 1, 1969 Matinée Broadcast Nilsson, Crespin, Vickers, Adam, Veasey, Talvela Conductor: Herbert von Karajan Disc 21-22: Beethoven: Fidelio Recorded live at the RAI di Roma, March 17, 1970 Nilsson, Spiess, Adam, Crass, Donath, Unger Conductor: Leonard Bernstein Disc 23-24: Strauss: Elektra Recorded live at the Metropolitan Opera House, February 27, 1971 Matinée Broadcast Nilsson, Rysanek, Madeira, Stewart, Nagy Conductor: Karl Böhm Disc 25-27: Wagner: Tristan Und Isolde Recorded live at the Festival d'Orange, July 7, 1973 Thomas, Nilsson, Hesse, Wiener, Talvela Conductor: Karl Böhm Disc 28-30: Strauss: Die Frau Ohne Schatten Recorded live at the Bayerische Staatsoper, September 29, 1976 Nilsson, Bjoner, Varnay, Fischer-Dieskau, King Conductor: Wolfgang Sawallisch Disc 31: Concerts (Excerpts) Recorded live at the Concert Hall, Stockholm 1953 (first release on CD)/1967/68 Recorded live at the Sydney opera house (Opening Concert), September 29, 1973

• Wykonawca Nilsson Birgit
• Data premiery 2018-09-07
• Nośnik CD

Described as 'a prince among violists', Maxim Rysanov was in 2010 chosen to perform at the Last Night of the Proms. On that illustrious occasion he played his own adaptation of Tchaikovsky's Rococo Variations, in a performance described by one reviewer as so seductive that it 'almost made one forget that it had been composed for the cello.' For the present disc, Rysanov has chosen to record the work with the expert support of the Swedish Chamber Orchestra under the conductor Muhai Tang. The strings of that orchestra also join him in another work usually performed on the cello – and usually with the original piano accompaniment. Schubert's Sonata in A minor was composed for the arpeggione, a synthesis of cello and guitar invented in Vienna in 1823, and soon all but forgotten. It is in fact only Schubert's glorious sonata that has ensured that the name – if not the instrument itself – has survived. Commissioned by the soloist, the Bulgarian-born composer Dobrinka Tabakova has orchestrated it with the aim to 'retain the lightness and delicacy of the accompaniment, and remain as true to the original score as possible.’ The programme is rounded off with the one completely original composition on this disc, namely the  autumnal Romance in F major by Max Bruch, who in his 73rd year used all the skill acquired during a long life to express his nostalgia for a musical language irrevocably lost. On his previous disc for BIS, Rysanov also turned to the cello repertoire, performing three of Bach's suites for solo cello. That recording was selected for a special recommendation in The Strad and chosen as Classical CD of the Week in the Daily Telegraph. On the German website klassik.com, one reviewer proved particularly prophetic as he wrote that 'Rysanov, if he continues to record such successful transcriptions for the viola, will be giving cellists a hard match in their traditional repertoire.'

• Wykonawca Rysanov Maxim
• Data premiery 2011-07-01
• Nośnik SACD

Tracklista: Disc 1 (CD - 2018 Remix): 1. Welcome To The New Dimension 2. Isis And Osiris 3. Amazing Flight 4. Time Beyond Time 5. The Decision Tree (We're Alive) 6. Tunnel Of Light 7. Across The Rainbow Bridge    Disc 2 (CD - 2018 Remix): 1. The Garden Of Emotions 2. Valley Of The Queens 3. The Castle Hall 4. Tower Of Hope 5. Cosmic Fusion 6. The Mirror Maze 7. Evil Devolution 8. The Two Gates 9. "Forever" Of The Stars 10. Another Time, Another Space Disc 3+4: 2018 Remix - Instrumentals. Disc 5: DVD (2018 5.1 surround remix + bonus video material)

• Wykonawca Ayreon
• Data premiery 2018-10-26
• Nośnik CD

Following a series of highly acclaimed recordings dedicated to individual composers, Yevgeny Sudbin has combined works by Liszt, Ravel and Saint-Saëns into a recital with the three-stranded theme Love, Delirium and Death. First to make its presence felt is death, in Funérailles, Liszt’s grandiose elegy for his Hungarian countrymen who died in the 1849 uprising against Habsburg Rule. It reappears in Ravel’s depiction of a hanging – Le Gibet (The Gallows) from the triptych Gaspard de la Nuit – and closes the programme in Saint-Saëns’ Danse macabre in which Death personified provides the music for a morbid ballet of corpses, playing a fiddle and tapping his foot on a tombstone. Love enters the programme with the Petrarch Sonnets, originally song settings by Liszt of three of the many poems in which Petrarca immortalized Laura, the object of his life-long but unrequited passion, and later reworked for piano solo by the composer. A similarly hopeless attraction is described in Ravel’s Ondine – the tale of a water nymph tempting a mortal to join her in the depths of the lake. Delirium, finally, is present throughout the disc – most manifestly in the nightmarish portrait of the goblin Scarbo, but also as an essential ingredient in many of the other works. The programme thus poses a huge challenge for the performer in terms of transmitting a wealth of super-charged emotions and images while simultaneously negotiating immense technical demands – a worthy task for Sudbin, whose Scriabin interpretations were described in BBC Music Magazine as being ‘as terrifyingly changeable and emotionally all-engulfing as the music itself’, while his Rachmaninov disc to the reviewer in Piano Magazine revealed ‘a musical dramatist of exceptional acumen and sophistication; a poet who moves seamlessly between unbridled rhetoric and extreme intimacy; a stylist who catches the particular spirit of everything he plays…

• Wykonawca Sudbin Yevgeny
• Data premiery 2012-10-01
• Nośnik SACD

Disc 1

• Wykonawca Tokyo Blade
• Data premiery 2012-06-15
• Nośnik CD

As ever, the disc is a revelation ... Once heard this infectious music is not easily forgotten, which is a tribute to the enthusiasm and conviction of the performances' (Classic CD) .Peter Holman's flair for drama illuminates the evocative settings of these lesser-known composers. Both conducting and sound quality capture the nuances of textures, registers and sonorities' (BBC Music Magazine).

• Wykonawca The Parley of Instruments
• Data premiery 2007-01-01
• Nośnik CD

Hyperion’s Bach Piano Transcriptions series reaches volume 8, and continues to surprise and delight with a disc containing many first recordings. The controversial figure of Eugen d’Albert was one of the greatest pianists of his day and, although largely forgotten now, a composer of genuinely international renown. A sometime student at the Royal College of Music, d’Albert rejected his British upbringing and nailed his colours to the mast of German music. Bach was an important part of his performing career—and like other great nineteeth-century pianists, d’Albert saw in the monumental scale of the organ works an opportunity to synthesize the works of the Master with the expanded capabilities of the modern piano.‘Lane commands the golden tone and effortless, spirited virtuosity needed to make these transcriptions come alive, and makes them sound easy to boot. A honey of a release’ (BBC Music Magazine) ‘Wonderful music, consummately transcribed and movingly played’ (International Piano) ‘This is wonderfully crafted piano music, marvellously executed by Lane … the playing is always supremely fluid and musically enquiring … this is another fascinating release from Hyperion’ (International Record Review) ‘A truly fascinating disc … Lane clearly relishes in the amusing challenges, but he also makes you wonder at the immensity of Bach’s genius’ (Classic FM Magazine)

• Wykonawca Lane Piers
• Data premiery 2010-01-01
• Nośnik CD