Tracklista:1. *2. I Just Want to Go Home3. I Am Sick of All This Too4. I Know This Is No Place for You5. I Alone Got Up and Left6. I Know This Is All My Fault7. I Did Not Call Out
Between about 1400 and 1550, musical life in Europe was dominated by five generations of musicians born and formed in a well-defined geographical area generally described by musicologists as franco-flemish. From this area emanated the overwhelming majority of the musical elite of the Renaissance – illustrious composers and musicians, recruited at great expense by wealthy patrons right across Europe. The southern part of this area, Picardy, was a rich pool of talented singers and composers. The cathedral and collegial churches of Amiens alongside the Picard church chapters pursued a general musical education for choirboys who, if they showed any natural musical talent, could become professional musicians, either in their churches or – greatest prize of all – by being recruited to the private chapels of the grandest of European rulers. With five composers from different generations, and of varying status, this programme of religious music conveys a relatively comprehensive survey of what 16th-century musical life in the churches of one of the most musically wellendowed French provinces might have been.
Tracklista:1. Balade a Tervueren9. Shanghai Gesture2. A Coeur Fendre3. Veronique4. NIM Intro5. Veronique6. Music for Someone7. Leave Her to Heaven8. (This Is) Harmony10. Light
Tracklista:1. Indiana2. Bill Bailey, Won't You Please Come Home?3. Your Cheatin' Heart4. He'll Have to Go5. You're Nobody 'Till Somebody Loves You6. Tennessee Waltz7. Sixteen Tons8. Poem. I Asked God9. Take My Hand, Precious Lord10. If I Can Help Somebody11. Waiting for the Robert E. Lee12. The Band Played On13. Mary's a Grand Old Name14. Take Your Girlie to the Movies15. A Straw Hat and a Cane16. There'll Be No New Tunes On This Old Piano17. Paddlin' Madelin' Home18. The Old Piano Roll Blues19. Row, Row, Row20. In the Shade of the Old Apple Tree21. Soft Shoe Song22. Floatin' Down to Cotton Town
Tracklista: 1. Life in the Bubble2. Why We Can't Have Nice Things3. Synolicks4. Years of Therapy5. The Passage6. Garaje Gato7. Does This Chart Make Me Look Phat?8. Get Smart9. On Green Dolphin Street10. Party Rockers
Founded in Ravenna, Italy, in 1983, the Accademia Bizantina is a group of talented musicians with diverse musical interests who came together to form a self-managed group where music could be made in an atmosphere of research and historical understanding.Mauro Valli is solo cellist for the ensemble Accademia Bizantina, together with which he pursues intensive concert and recording activities. He plays a 1738 Louis Guersan cello.Look forwardto this release, which waspresented in 2003 by ARTS in superior 24 bit / 96 kHz sound quality andhas received many great reviews since. In June2011, this recording will now also be available as high-quality hybrid SACD in multichannel sound.
"The Nightly Disease" to drugi album norweskiego zespołu rockowego Madrugada, którego liderem jest wokalista Sivert Høyem. Został on zremasterowany i ponownie wydany w 2019 roku nakładem wydawnictwa Music On CD. Jest on znacznie ciemniejszy niż ich debiut "Industrial Silence". Początkowy utwór "Black Mambo" rozpoczyna się od świetnej gitary solowej Roberta Buråsa i ustanawia uwodzicielski "voodoo" tego albumu. Sprawdzona, efektowna Rockabilly-Hall na gitarach tworzy szerokie, puste przestrzenie paranoi, izolacji i strachu, wydobywając na pierwszy plan ekspresyjny barytonowy głos Siverta Hoyema. Tajemniczy i zmysłowy utwór "Step Into This Room And Dance For Me" jest tak szybki jak wąż, tak samo jak zamykający album utwór "Only When You're Gone" . Linia basowa "Hands Up I Love You" jest hipnotyzująca. "Sister" trwający 9:01 minut to powolny utwór, który przenosi Cię w dziwny sen. Gitara elektryczna buduje burzę w tle. Nadchodzi zima. "Surowa surowość" aranżacji potęguje skandynawską melancholię muzyki i jej nordyckie piękno. Skład zespołu: Bass – Frode Jacobsen Bębny – Jon Lauvland Pettersen Gitara – Robert S. Burås Mastered By – Greg Calbi Pedal Steel Guitar – Eric Heywood (tracks: 7, 9, 12) Wokal – Sivert Høyem Tracklista: 1. Black Mambo 2. Step Into This Room And Dance For Me 3. Nightly Disease Part II 4. Lucy One 5. Hands Up - I Love You 6. A Deadend Mind 7. The Frontman 8. We Are Go 9. Into Heartbeats 10. Sister 11. Two Black Bones 12. Only When You're Gone
Volume 44 of this universally acclaimed series takes us to Leipzig in the spring and summer of 1726. The two cantatas BWV 146 and 43 were composed for Jubilate Sunday and for Ascension Day respectively, both of them joyous occasions celebrating Christ’s resurrection and subsequent ascension into heaven. In BWV 43 the aspect of celebration is obvious in a scoring that includes trumpets and timpani, lending splendour and emphasis to the jubilant opening, a complex choral fugue. The work also provides each of the four vocal soloists with arias that express different aspects of the mystery of the Ascension. In BWV 146, Bach and his unknown librettist followed the gospel passage for Jubilate Sunday: ‘your sorrow shall be turned into joy’. In consequence, the various movements present jubilation and grief successively, beginning with an instrumental Sinfonia which in spite of its minor key is characterized by a bubbling vitality. Based on a lost violin concerto which also served as the model for one of Bach’s harpsichord concertos, this movement gives a soloistic part to the organ - on this recording the fine Marc Garnier instrument of the Shoin Chapel in Kobe. The organ also plays a prominent part in the following movement, for which Bach again used material from the violin concerto, simply adding the lamenting choral parts to the existing score. In the third cantata on the disc, BWV 88, the subject is the well-known incident of Christ telling Peter to throw out his nets once more after a night of unsuccessful fishing. The soloists in these three works have all appeared before in the series, and the Bach Collegium Japan and Masaaki Suzuki are in the same fine form that inspired the reviewer in the French magazine Classica when writing about Volume 42: ‘an interpretation of incontrovertible eloquence. Suzuki serves Bach in the same manner as the composer served God and his church: humbly, but not without pride.
Tracklista:1. Animal Heart2. Burning Bridges for Fuel3. Dreaming of Houses4. Clip Your Wings5. Jungle6. Food for the Beast7. Digestif8. Forgot to Tell You9. Catch Me Crying10. The Grand Destruction Game11. Silver12. This Is Heavy Metal
A rare complete collection of Chopin's art songs, sung in the original key by one singer, along with a little-known song cycle by Szymanovski. Sung in Polish, the musical expression of these pieces is fully conserved and defended. The Polish soprano Urszula Cuvellier illuminates this recording with her stunning voice, masterfully accompanied by Anne Le Bozec, producing a rare and refined musical narration.