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Leopold Hofmann był jednym z czołowych wiedeńskich kompozytorów swojego pokolenia. Jego utwory były popularne w całej Europie. Żył w latach 1738–1793. Jego koncerty fletowe stanowią doskonały przykład jego mistrzowskiego stylu i do dzisiaj zachwycają słuchaczy. Wykonawcy to Uwe Grodd - flet i Czech Chamber Philharmonic Orchestra Pardubice pod dyrekcją Michaela Halásza.


  • Wykonawca Grodd Uwe
  • Data premiery 2019-09-13
  • Nośnik CD
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Tracklista: CD 1 1. Infinity Burning 2. Cosmic Keys to My Creations & Times 3. Thus Spake the Nightspirit 4. An Elegy of Icaros 5. Curse You All Men! 6. With Strength I Burn 7. Towards the Pantheon 8. Majesty of the Nightsky 9. The Loss & Curse of Reverence 10. In the Wordless Chamber 11. Inno a Satana CD 2 1. Intro/Into the Infinity of Thoughts/The Burning Shadows of Silence 2. Cosmic Keys to My Creations & Times 3. Thus Spake the Nightspirit 4. An Elegy of Icaros 5. Curse You All Men! 6. Wrath of the Tyrant 7. With Strength I Burn 8. Towards the Pantheon 9. The Majesty of the Nightsky 10. The Loss and Curse of Reverence 11. In the Wordless Chamber 12. Inno a Satana/Opus a Satana (Part 1) 13. I Am the Black Wizards 14. Ye Entrancemperium 15. Opus a Satana (Part 2)


  • Wykonawca Emperor
  • Data premiery 2017-01-13
  • Nośnik CD / Album
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Marc-André Hamelin has proved himself—in three lauded volumes of Haydn’s piano sonatas—to be a formidable Haydn pianist, combining style, exuberance and dazzling technique with a palpable sense of joy in the music. Now he has recorded the composer’s three most popular concertos.This release is the fruit of a partnership with the award-winning Canadian chamber orchestra Les Violons du Roy and their director Bernard Labadie, whose previous recordings for Virgin Classics and other labels have received the highest critical acclaim.


  • Wykonawca Hamelin Marc-Andre , Les Violons Du Roy
  • Data premiery 2013-03-01
  • Nośnik CD
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Along with the two major works for the unusual combination of horn, violin and piano, this disc also brings together a rather incongruous pair of composers: Johannes Brahms, generally regarded as the great traditionalist of the late 19th century, and György Ligeti, born 90 years after Brahms, and one of the most innovative and progressive figures of his time. Why Brahms chose to compose for this previously unheard-of combination of instruments is not known – what we do know is that he himself played the horn in his youth, and that it had also been a principal instrument of his father. It is also generally recognized that although the inspiration for the piece came to him in 1864, the death of his mother the following year had a great impact on the piece, and especially on the elegiac third movement, Adagio mesto (‘sad’), possibly one of Brahms’s most intimate and heart-felt slow movements. Ligeti composed his trio to be performed during the celebrations of the 150th anniversary of Brahms’ birth and gave it the subtitle ‘Hommage à Brahms’, but also commented that ‘the only thing reminiscent of Brahms is perhaps a certain smilingly conservative comportment – with distinctly ironic distance’. There are nevertheless points of similarity – both works are in four movements, for instance, and Ligeti too includes a slow movement, Lamento, of an emotional expressivity unusual for this composer. The two trios frame a substantial, newly composed piece for horn solo written by Kalevi Aho with the present recording in mind. Marie-Luise Neunecker, who performs it and the demanding horn parts of the trios, needs no further introduction: acclaimed as a chamber musician as well as soloist it was for her that György Ligeti wrote one of his last works, the Hamburg Concerto for solo horn and chamber orchestra. On this disc she is in the company of the eminent musicians Antje Weithaas and Silke Avenhaus, both appearing for the first time on the BIS label.


  • Wykonawca Neunecker Marie-Luise , Weithaas Antje , Avenhaus Silke
  • Data premiery 2012-01-01
  • Nośnik SACD
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