
Album został wydany przez wytwórnię Musical Concepts (MC 3201). Tracklista: 1. Six Name Sonatas 2. Fur Elise 3. Emperor Concerto
- Wykonawca Chicago Symphony Orchestra , Schnabel Artur
- Data premiery 2016-06-01
- Nośnik CD

Album został wydany przez wytwórnię Musical Concepts (MC 3201). Tracklista: 1. Six Name Sonatas 2. Fur Elise 3. Emperor Concerto

Live recording from Fulda Cathedral. 4th CD of the choirs at Fulda Cathedral for querstand label. Contains a colourful program of advent-related music; contains the first part of Handel’s „Messiah“, one of the biggest „hits“ in the history of church music; contains the Magnificat in C by Christoph Graupner, a composer which is not in the focal point of today’s musical world although he was very popular in his times and wrote about 2000 church music works.

13 płyt CD zawierających wszystkie nagrania Yvonne Loriod dla Végi (1956-1963), wiele z nich po raz pierwszy na płycie CD. Od Mozarta, Chopina, Schumanna, Liszta, Albéniza i DeFallę, poprzez Berga, Barraqué i Weberna, aż po Messiaena i Bouleza, w tym aż jedenaście nagrań światowych prawykonań. W wydawnictwie znalazły się nagrania dokonane z Olivierem Messiaenem, Pierre'em Boulezem, Jeanne Loriod, Rudolfem Albertem, Mauricem Le Rouxem, Orchestre National de la RTF, Les Concerts Du Domaine Musical. Tracklista: CD 1: Orchestre Du Domaine Musical/ Pierre Boulez Mozart: 1. Fantasia In C Minor, K.396° 2. Fantasia & Fugue In C Major, K.394° 3. Fantasia In C Minor K.475° 4. Fantasia In D Minor, K.397° 5. Rondo In D Major, K.485° 6. Piano Concertos No. 1-2, K.37 & K.39° CD 2: Orchestre Du Domaine Musical/ Pierre Boulez Mozart: 1. Piano Concertos No. 3-4, K.40-K.41° 2. Piano Sonata No. 11 In A Major, K.331 “Alla Turca”° Liszt: 3. Piano Sonata In B Minor° CD 3: Orchestre Du Théâtre National De L’opéra De Paris/ Manuel Rosenthal Chopin: 1. 12 Études° Schumann: 2. 8 Novelletten° CD 4: Orchestre Du Théâtre National De L’opéra De Paris/ Manuel Rosenthal Albéniz: 1. Iberia (Cahiers 1 To 3)* CD 5: Orchestre Du Théâtre National De L’opéra De Paris/ Manuel Rosenthal Albéniz: 1. Iberia (Cahier 4)* De Falla: 2. Noches En Los Jardines De España Marcel Naulais (E-Flat Clarinet)/ Guy Deplus (Clarinet)/ Louis Montaigne (Bass Clarinet)/ Jacques Ghestem (Violin)/ Serge Collot, (Viola)/ Jean Huchot (Cello)/ Pierre Boulez, Conducting Schoenberg: 3. Suite For Seven Instruments, Op. 29 Orchestre Du Domaine Musical/ Rudolf Albert Henze: 4. Concerto Per Il Marigny CD 6: Orchestre Du Domaine Musical/ Rudolf Albert Webern: 1. Piano Variations, Op. 27 Boulez: 2. Piano Sonata No. 2 Barraqué: 3. Piano Sonata° Berg: 4. Piano Sonata In B Minor, Op. 1 CD 7: Orchestre Du Domaine Musical/ Rudolf Albert Messiaen: 1. Visions De L’amen 2. Olivier Messiaen (2nd Piano) 3. Cantéyodjayâ 4. Oiseaux Exotiques CD 8: Les Percussions De Strasbourg/ Orchestre Du Domaine Musical/ Pierre Boulez Messiaen: 1. Vingt Regards Sur L’enfant-Jésus (Beginning)† CD 9: Les Percussions De Strasbourg/ Orchestre Du Domaine Musical/ Pierre Boulez Messiaen: 1. Vingt Regards Sur L’enfant-Jésus (Conclusion)† 2. Catalogue D’oiseaux (Livre I)† CD 10: Les Percussions De Strasbourg/ Orchestre Du Domaine Musical/ Pierre Boulez Messiaen: 1. Catalogue D’oiseaux (Livres Ii-V)† CD 11: Les Percussions De Strasbourg/ Orchestre Du Domaine Musical/ Pierre Boulez Messiaen: 1. Catalogue D’oiseaux (Livres Vi & Vii)† 2. Sept Haïkaï, Esquisses Japonaises CD 12: Jeanne Loriod (Ondes Martenot)/ Orchestre National De La Rt / Maurice Le Roux Messiaen: 1. Turangalîla-Symphonie† Bonus Disc: The Boîte À Musique & Club Français Du Disque Recordings CD 13: Orchestre Des Cento Soli/ Rudolf Albert Messiaen: 1. Huit Préludes° Stravinsky: 2. Pétrouchka†

Tracklista: LP 1 1. Define The Day 2. Road To Cartagena 3. Casino 4. Pensando Em Outro Mundo 5. Last Call For Passenger W 6. Back Where I Belong LP 2 1. Hard Night's Day 2. Sepulveda Blvd. 3. Musical 4. Here We Are 5. Man In The Long Black Coat

The ensemble Les Cornets Noirs (named after their black, leather covered cornettos) has unearthed some real musical treasures: the collection of Gustaf Düben, chapel-master at the court of Sweden, encompasses more than 2300 musical works that are partly composers’ autographs, partly scribal copies. Düben must have started collecting autographs of established German and Italian composers already during his studies in Germany, and subsequently his position as court chapel-master undoubtedly afforded him many occasions to acquire or copy valuable music. Later, the Düben Collection wandered from Stockholm to the University Library in Uppsala.From the extensive repertoire, Les Cornets Noirs, who play with masterly virtuosity and mellow sound, have selected sonatas intended for “cornetti” as well as other compositionally mature chamber music works and sacred concertos (bass: Wolf Matthias Friedrich) that reflect a broad spectrum of the musical landscapes in Germany, Italy, and the Baltic Sea region of the seventeenth century.

“On the Town to najbardziej świeży i wciągający musical od czasu Oklahomy!” - New York Times, 1944

Collection of interviews with American singer-songwriter Bob Dylan. The programme also includes contributions from critics and Dylan's musical collaborators from across his career.

Stephen Layton’s first disc of Lukaszewski’s choral works (with The Choir of Trinity College, Cambridge) was widely praised by listeners entranced by the composer’s unique yet accessible musical language. For this new release Layton and Polyphony, together with the Britten Sinfonia and a team of world-class soloists, have taken on a major work which is destined to become a modern classic in the vein of Tavener’s The Veil of the Temple or Pärt’s St John Passion. Via Crucis is a dramatization of the Stations of the Cross, a musical reading of this most solemn journey that evolves through its 55-minutes in an arc of culminatory ritual power.Lukaszewski's reputation is growing rapidly, and rightly so … Here, Christ's victory over death enables Lukaszewski to end on a triumphant coda that carries a primal power recalling Orff's Carmina Burana and Penderecki's St Luke Passion … All the performers evince an emotional commitment to the content as well as to accurate technical realisation of the music. The purity of sound achieved by Polyphony's sopranos and countertenor Iestyn Davies is notable, so too is Roger Allam's sonorous narration' (BBC Music Magazine)."A composer with a profound understanding of the technical and emotional range of the human voice … The shining writing for the countertenor Evangelist (performed by the outstanding Iestyn Davies) … and the Resurrectional blaze of the final 'Christus vincit'. This string of moments, by turns bright and oppressively dark, dramatic and reflective, receives a performance of the very deepest conviction by Polyphony and the Britten Sinfonia under Stephen Layton, and the recorded sound is wonderful" - (Gramophone).

Ravel composed his highly imaginative piano suite Miroirs in 1904-05 after he had joined the Société des Apaches, a group of ground-breaking young musicians, composers, music critics, poets, writers and painters, among them great names like Igor Stravinsky, Florent Schmitt, Manuel de Falla and Maurice Delage. It was Ravel who proposed to adopt the main theme of the first movement of Borodin’s Second Symphony as the society’s musical dictum, a suggestion all members gladly accepted. Miroirs is a musical tribute to his fellow ‘Apaches’ or ‘hooligans’: each of the five movements is dedicated to one of the members. The eight short pieces that comprise Schumann’s Kreisleriana not only prove the point of highest musical imagination, but each individual movement is also a prime example of formal discipline and structural coherence within the cycle as a whole. It is no coincidence that Schumann studied Bach’s Well-Tempered Clavier intensively when working on the Kreisleriana. The work’s tonal scheme shares one simple, unifying harmonic factor: the related keys of the ‘daemonic’ G minor and the rather gentle B flat major underpin six of the eight movements. Alexander Scriabin’s earliest compositions, most of them for solo piano, clearly demonstrate his adoration of Chopin, where his first two symphonies are still strongly liaised with Tchaikovsky’s. And like both these composers also Scriabin excelled in creating rich and colourful textures and sonorities. But it was Scriabin’s Later fascination for Wagner, Liszt and Nietzsche, Together with that mystic domain of theosophy and poetic symbolism that gradually put up a quite powerful momentum in his creative life. It all culminated in his greatest of all visions, that he would be able to establish an all-embracing, eternal and super human art form. (from the linernotes of this CD written by Aart van der Wal)The imagination, each on another level, is an important theme in all of the works on this CD. Alexei Volodin is a master in creating the right atmosphere for these imaginative works of all three composers. Although he is a virtuoso, he is even more a pianist who can dive deep into the inner world of the composer and his work. Combined with his own inner depth this results in performances that leave a lasting impression on the listener.

The Way of the Cross (or the Stations of the Cross) does not belong to the liturgy but rather to devotional practice, and has always represented one of the more intense and heartfelt moments of popular worship. The music selected for this recording belongs to the great repertory of the Spanish Renaissance, a period spanning the late fifteenth century up to the time of Victoria. The choice of music is based upon the connection among the various composers as their highly expressive use of musical colour, rendering the music evocative, visual and plastic. The works are of rare beauty and invite us to witness a veritable musical drama. Listening to the sequence of motets from Morales to Anchieta, from Esquivel to Guerrero is like processing along the aisle, viewing the bas-reliefs that represent each of the Stations of the Cross. Within the arc of the 14 stations the two visions of the prophet and the dramatic cry of Christ, have been inserted.