„Best Movies Collection” to dwupłytowy album muzyczny zawierający największe przeboje w historii kina.  Znajdziemy tu muzykę z Listy Szindlera, Titanica, Ojca Chrzestnego, Cinema Paradiso i wielu innych znakomitych filmów. Tracklista: CD 1 1. Scent Of A Woman - Por Una Cabeza - Tango Music By Carlos Gardel 2. Beauty And The Beast Music By Alan Menken 3. The Godfather - Love Theme Music By Nino Rota 4. Fiddler On The Roof - If I Were A Rich Man Music By Jerry Bock 5. Breakfast At Tiffany's - Moon River Music By Henry Mancini 6. The Aviator - Moonglow Music By Will Hudson, Irving Harold Mills 7. Titanic - My Heart Will Go On Music By James Roy Horner 8. Notre-Dame De Paris (Musical) - Belle Music By Richard Cocciante 9. Arthur - Arthur's Theme (Best That You Can Do) Music By Christopher Cross, Burt Bacharach 10. Sun Valley Serenade - Moonlight Serenade Music By Glenn Miller 11. Cats (Musical) - Memory Music By Andrew Lloyd Webber 12. Doctor Zhivago - Lara's Theme Music By Maurice Jarre 13. Runaway Vacation - (Get Your Kicks On) Route 66 Music By Bobby Troup 14. Vabank - Ragtime Vabank Music By Henryk Kuźniak 15. Charade Music By Henry Mancini 16. Beverly Hills Cop - Axel F Music By Harold Faltermeyer 17. The Pink Panther Theme Music By Henry Mancini 18. Desperado - Canción Del Mariachi ("Morena De Mi Corazón") Music By Cesar Rosas Performers: Serenada String Quintet (1,5, 10) Natalia Walewska, Robert Kanan (2, 16), Guitar Duo (3, 9, 12), Lviv Virtuosos (4, 8, 11), Natalia Walewska (7), Jazz Combo Volta (6, 13), Józef Sobolewski, Przemyslaw Raminiak (14, 15), Combo Junior Band & Przemek Dyakowski (17), Valery Filipow (18) CD 2 1. The Good, The Bad And The Ugly - Titles Music By Ennio Morricone, 2. Cinema Paradiso - Childhood And Manhood Music By Ennio Morricone 3. The Leopard - Valzer Del Commiato Music By Nino Rota 4. The Mission - Gabriel's Oboe Music By Ennio Morricone 5. Amarcord Theme Music By Nino Rota 6. Schindler's List Theme Music By John Williams 7. A Fistful Of Dynamite - I Figli Morti Music By Ennio Morricone 8. La Dolce Vita In Via Veneto Music By Nino Rota 9. A Fistful Of Dollars - Version 1 Music By Ennio Morricone 10. Otto E Mezzo (8½) - L'illusionista Music By Nino Rota 11. Gone With The Wind - Tara's Theme Music By Max Steiner 12. Il Postino Theme Music By Luis Bacalov 13. The Pilgrim - 12th Street Rag Music By Euday L. Bowman 14. A Fistful Of Dollars - Titles Music By Ennio Morricone 15. Once Upon A Time In America Music By Ennio Morricone 16. Cinema Paradiso - While Thinking About Her Again Music By Ennio Morricone, Performed By 17. Per Le Antiche Scale - Preludio Music By Ennio Morricone 18. La Strada Main Theme Music By Nino Rota 19. Falling - Twin Peaks Theme Music By Angelo Badalamenti Performers: Atahualpa (1), Nino Rota Ensemble (2, 3, 4, 5, 7, 8, 9, 10, 15, 17, 18), Józef Sobolewski, Przemyslaw Raminiak (6), Guitar Duo (11), Massimo Farao Trio (12), Serenada String Quartet (13), Movie Trio (14), Casanova Venice Ensemble (16), Synthesizers Images Orchestra (19)  

• Wykonawca Various Artists
• Data premiery 2019-11-29
• Nośnik CD

Marguerite of Austria (1480-1530) lived a sad life, by the time she was thirty she was berieved of her child, family and a future on the French throne. Nevertheless, Marguerite was artistically gifted and enjoyed the comforting company of writers, musicians and composers at her court in Mechelen. Her library is a "mer à boire" of exceptional musical manuscripts. Musical works reflecting the grief and unhappiness of the narrator fill the greater part of a splendid manuscript housed nowadays in the Bibliothèque Royale in Brussels; it was undoubtedly prepared for Marguerite between 1508 and 1516 in full awareness of her musical tastes and her predilection for mournful subjects. The program on this cd by La Morra is largely based on music preserved in this manuscript.La Morra (2000) has performed in many renowned Early Music events across Europe, including Belgian Festival van Vlaanderen, Dutch Network Oude Muziek, etc. The ensemble (4-7 musicians) is usually heard in various vocal and instrumental constellations which vary according to the requirements of performed repertoire. La Morra 's first CD recording Le Jardin de Plaisance was enthousiastically received: "…skillful and involving is Le Jardin de plaisance…. To hear these pieces performed so elegantly is to be reminded why one fell in love with this music; and there are times when such a reminder is timely". Early Music

• Wykonawca La Morra
• Data premiery 2008-07-04
• Nośnik CD

Tracklista: 1. Follow the Leader 2. Microphone Fiend 3. Lyrics of Fury 4. Eric B. Never Scared 5. Just a Beat 6. Put Your Hands Together 7. To the Listeners 8. No Competition 9. The R 10. Musical Massacre 11. Beats for the Listeners

• Wykonawca Eric B & Rakim
• Data premiery 2018-07-13
• Nośnik Vinyl / 12" Album

"Yiddishkayt"  - recital piosenek jidysz w wykonaniu Bente Kahan i Gjertrud’s Gypsy Orchestra. Program koncertu obejmuje różnorodne utwory: począwszy od pieśni religijnych i piosenek ludowych po piosenki stworzone dla teatru jidysz, którego początki sięgają XIX w. w Europie Wschodniej a rozwój nastąpił w USA i Izraelu wraz z emigracją Żydów z Europy Wschodniej do tych krajów. Na rozwój muzyki jidysz, silnie zakorzenionej w kulturze żydowskiej, wywierały istotny wpływ zarówno polska, rosyjska i bałkańska muzyka ludowa, jak i amerykański blues i musical, lecz co najważniejsze; oddziaływania te były dwukierunkowe. Naturalne jest zatem umieszczenie języka, literatury i muzyki jidysz w kontekście kultury Zachodu. Zwłaszcza dziś, gdy rozumiejący i mówiący w jidysz pozostali tak nieliczni , tak ważne jest zachowanie bogactwa ich kultury dla przyszłych pokoleń.

• Wykonawca Kahan Bente
• Data premiery 2004-01-01
• Nośnik CD

England came late to the trend of Lute Song, but embraced it in a way that proved to be more fruitful and influential than in the rest of Europe. This was mainly due to the figure of John Dowland, one of the greatest song composers of any age and the main inspiration behind this recording. Although many lute-song masterpieces were created by Dowland’s contemporaries, none of these composers equals his level of originality, musical quality and sheer sublimity. We have included some pieces by some of the more accomplished composers (Francis Pilkington, Philip Rosseter, Michael Cavendish, Robert Jones, Thomas Campion and Robert Johnson) in order to offer a wider picture of the English lute-song as a genre.Valeria Mignaco began her singing studies in Argentina and obtained her classical and baroque singing Masters degree at the Royal Conservatory in The Hague, Holland. Finalist of the International Baroque Singing Competition of the Chateau de Chimay 2004 and 2006 and the International Young Artists Presentation in Anvers (with ensemble Via Artis), she also received an Honorable Mention at the Soloists Competition of the Flemish Early Music Festival in Brugge 2005. Her duo with Alfonso Marín had a Special Mention at the Alte Musik Treff, Berlin 2005. She has perfomed as soloist with Bachkoor Holland and Concertgebouw Kamerorkest, Cappella Amsterdam, Monteverdikoor Utrecht, Orquesta de Cámara de Rosario and worked under the direction of Gabriel Garrido, Paul van Nevel, Paul McCreesh, Daniel Reuss, Charles de Wolff, Jan Willem de Vriend, Daan Admiraal and Cristián Hernández Larguía. She also collaborates with well-known vocal ensembles like Cappella Amsterdam, Huelgas ensemble and Deutsche Kammerchor.Alfonso Marin began his musical studies in the Conservatorio Superior de Tenerife (Spain), and afterwards in the Conservatorium van Amsterda” were he continued his classical guitar and vihuela studies under the guidance of Lex Eisenhardt. From 1998 he devoted himself entirely to the study of early plucked instruments as the lute, theorbo and vihuela, continuing his studies in the same conservatory for five more years with the lutenist Fred Jacobs. After his graduation he carried on with an intense concert activity as a soloist, vocal and instrumental accompanist as well as basso-continuo theorbo and archlute player in many Dutch renaissance and baroque ensembles, orchestras and choirs like “Les Perruques de Amsterdam”, “Arion ensemble”, “The Royal wind consort”, “Nieuwe Opera Academie (DNOA), “Musica del Seicento” and»Amsterdam Symphonic Orchestra”. He is member and director of the renaissance ensemble El Parnaso Lirico with whom he has performed in Holland, Germany, France Belgium and Switzerland.

• Wykonawca Mignaco Valeria , Marin Alfonso
• Data premiery 2011-03-01
• Nośnik CD

A musical collaboration between the Kronos Quartet and Finnish musicians Kimmo Pohjonen and Samuli Kosminen. The resultant 'Uniko' suite features live strings, electric accordian, percussion and sampled effects.

• Data premiery 2011-01-13
• Nośnik DVD

Album "Head Over Heels (Original Broadway Cast Recording)", zawierający przeboje, powstałej w 1978 roku w Kalifornii legendarnej grupy The Go Go’s. tworzącej muzykę pop/punk rock. Największe przeboje zespołu to "Head Over Heels", "Vacation", "Our Lips Are Sealed" czy "We Got the Beat".  Head Over Heels to musical, którego fabuła oparta jest na książce Arcadia Hrabiny Pembroke Philipa Sidney’a napisanej w XVI wieku.

• Wykonawca Original Broadway Cast
• Data premiery 2018-11-09
• Nośnik CD

The Harmonice Musices Odhecaton (also known simply as the Odhecaton) was an anthology of secular songs published by Ottaviano Petrucci in 1501 in Venice. It was the first book of music ever to be printed using movable type, and was hugely influential both in publishing in general, and in dissemination of the Franco-Flemish musical style.

• Wykonawca Les Flamboyants
• Data premiery 2001-01-01
• Nośnik CD

The eight overtures by Gioacchino Rossini recorded on this CD were written between 1810 and 1814, and as such cover the early operatic period of the composer, who was born in Pesaro in 1792. Despite his world-wide popularity, primarily thanks to his popular operas, Rossini never managed to rise above the ranking of a musically aesthetic, yet rather second-rate composer, especially in German-speaking countries (in complete contrast to countries such as England and, of course, Italy). Rossini had his German antipode, Beethoven, to thank for this ranking. Both are considered outstanding examples of strongly contrasting "music cultures", which by the way have lost little of their validity right up to the present day. Thus Beethoven represents the symphonic style, exploring the smallest details of every theme and motif, whereas Rossini is considered the exponent of a style which, though decorative, is lacking in content and simply aiming for effect. Take for instance the division between light and serious music, which still exists today in Germany, derived from this very problem. Carl Dahlhaus expressed this contrast in musical aesthetics in the following words: Beethoven‘s scores were portrayals of "sacrosanct musical 'texts', the meaning of which should be disclosed through the interpretations, which should be seen as 'explanations'. On the other hand, a Rossini score is merely a model for a performance, which is given form by the aestheticians in charge as the realization of a design, and not as the interpretation of a text."Disregarding these reflections on musical aesthetics, Rossini was without a doubt the most important operatic composer in the period between Mozart and Verdi. One sees with amazement just how confident the young composer was in his mastery of the sophisticated tone languages of his time. Rossini managed to find his own musical voice at a very early stage. This "voice" is demonstrated superbly in his operatic overtures.Apart from one exception – La cambiale di matrimonio is really more an exponent of the older tradition of the sinfonia – the overtures all have a specific structure typical of Rossini: a slow introduction is followed by a quick main subject with two themes, which is brought to a halt by a ritardando, before a new intonation leads to a coda which outshines all else. But just how does Rossini fill this almost mechanical and pedantic structure he has chosen with musical energy? He links a lively melody to rhythmic vitality and bounces simple harmonic patterns off sudden humorous and surprising modulations. The motivic material, which is generally simple, is not subjected to symphonic development. Instead, by simply ordering the individual elements, Rossini creates a more extensive construction of areas of relaxation and tension, which achieve a spacious effect. In this context, the crescendi should be interpreted in the spirit intended by the composer: their typically characteristic features include simple metrical models, rousing melodies, sequential passages and the alternation of dynamics and instrumentation with radiant intensifications. Not without justification was Rossini fêted as "Monsieur Crescendo" upon his arrival in Paris. His instrumentation contains especially individual traits: in the first place, the solo entry of the winds, which can be discerned most strikingly in the horn soli in La cambiale di matrimonio. Besides, some of Rossini‘s very best ideas can be found in his overtures: such as the perpetuum mobile in La scala di seta or the violin bows striking the music stands in the overture to Il Signor Bruschini. The overtures do not contain much – if any – similarity to the ensuing operatic plots, as far as theme or programme content are concerned. This explains why Rossini made multiple use of some pieces, such as the overture to Il barbiere di Siviglia, which he had originally written for Aureliano in Palmira, or the introduction to Tancredi, which he borrowed from his La pietra del paragone, without making a single change.

• Wykonawca Academy of St. Martin In Fields
• Data premiery 2002-09-26
• Nośnik CD

Tracklista:1. Kaiser - Walzer (Emperor Waltz), Op. 437 00:11:18 2. Karneval in Rom: Overture 00:06:23 3. Mephisto's Hollenrufe, Waltz, Op. 101 00:08:16 4. Eljen a Magyar, Polka, Op. 332 00:02:56 5. Karnevals - Botschafter, Waltz, Op. 270 00:10:01 6. Perpetuum mobile, Op. 257, "Musikalischer Scherz" (Musical Joke) 00:03:10 7. Seid Umschulungen, Millionen, Waltz, Op. 443 00:09:02 8. Vergnugungszug, Polka, Op. 281 00:02:57 9. Wiener Bonbons, Waltz, Op. 307 00:09:19

• Wykonawca Various Artists
• Data premiery 1990-01-01
• Nośnik CD